A Quote by Regis Philbin

It was a thrill for me to work with Pete Fountain. — © Regis Philbin
It was a thrill for me to work with Pete Fountain.
Major League Baseball has created a Pete Rose purgatory, and that's where he is. And that's where he's always going to be. It's unfortunate that the commissioner's office has decided to allow that to be the reality. I don't think Pete would mind if they said 'No' to Pete. Pete wants them to go one way or the other and get him out of the void he's in.
Work for work's sake doesn't thrill me, but when I'm in the zone, I'm creative, and the expression is free.
I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting.
A fountain is the memory of nature, this marvelous sound of a little river in the mountains translated to the city. For me, a fountain doesn't mean a big jet of water. It means humidity, the origin of life.
To some it may be a thrill to be known, to me it's a thrill to start a friendship even up.
I have managed not to finish certain books. With barely a twinge of conscience, I hurl down what bores me or doesn't give what I crave: ecstasy, transcendence, a thrill of mysterious connection. For, more than anything else, readers are thrill-seekers, though I don't read thrillers, not the kind sold under that label, anyway. They don't thrill; only language thrills.
I think I was 24 when I went to USC with Pete Carroll. Pete believed in people and never worried about their age. I learned that from him.
I'm just being practial. I knew someday I might have to bare my throat to you. Pete and I discussed that very possibility. As for the danger and risk taking, that's what Pete pays me to do. And you and I both know he inteneds to get his money's worth." Jasmine, I cannot-" Why not!" Because you are not food!" I stared at him for a minute; the I started to grin. I couldn't help it. Vayl"-I tried to keep my face straight- "I'm not asking you to eat me.
I think thrill covers many different areas of a person's life. I'm a thrill junkie for sure, I don't like doing the same things for a long time. Which is why, I like my work to be a mixed bag.
My greatest thrill? That's easy. It came the day Mr. McGraw named his 20 all-time players. I'm ninth on that list and that is thrill enough to last me a lifetime.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
My brother Peter was always the life of the party, and so the running joke for the first 12 years of my life was he was Pete, and I was 'Re-Pete.'
Pete and Repeat were sitting on a wall. Pete fell off. Who was left? Repeat.
I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.
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