A Quote by Regis Philbin

I tried to make a distinct point that I wasn't retiring - that I was moving on. — © Regis Philbin
I tried to make a distinct point that I wasn't retiring - that I was moving on.
All my friends were retiring, and it got to the point where I was like, 'Hey, how come I'm not retiring?'
There's no point in retiring because there's no fun in retiring.
I tried retiring a couple of times and it just didn't really stick so, but at some point enough things conspire together and it does stick.
Whether that is me retiring, staying here or going somewhere else, it will be on my terms. I've made it to this point, and I felt great that I have the choice to make it for myself.
I'm moving on. I should have made that clear when I made the announcement. I guess I wasn't clear. If people think you're leaving a show after all these years, you might be retiring. So I understand where they're coming from, but I should have impressed the fact that I hope I'm just moving on right now.
I can tell from the tone of his voice and the thought processes in getting to where he's at that there's no point in talking to him further. He wanted to make that decision independent of all other factors and we respect that. [on Damien Martyn retiring
I couldn't make ends meet. I tried Red Lobster. I tried Wal-Mart. I tried all these places and I couldn't make it. I couldn't. So, I tried this gentlemen's club, and, you know, I worked there, and it was just awful in those places. It was terrible.
Not fighting, avoiding talking to fans... that's when the thoughts creep in about retiring and moving on to something else.
Since retiring from competitive chess, my focus is on education and organising children's tournaments: I make a point of never separating girls and boys, nor awarding special prizes for girls.
I'm not really good at retiring. I tried that one time and Nancy ran me out of the house.
If I wasn't addicted to the idea of performing, I think retiring out of the ring and moving to a backstage position or becoming more of an office guy. That wouldn't bother me so much.
I have always declared God to be a distinct personage, Jesus Christ a separate and distinct personage from God the Father, and the Holy Ghost was a distinct personage and a Spirit: and these three constitute three distinct personages and three Gods.
We don't have a single point of view for a road at all, except a moving one, moving along it.
I've always tried to make the strip animated, even when the characters aren't moving, with expressions or perspectives or some sort of exaggeration. There's great potential for that which has yet to be fully mined.
When everyone is moving towards depravity, no one seems to be moving, but if someone stops he shows up the others who are rushing on, by acting as a fixed point.
Going to another country doesn’t make any difference. I’ve tried all that. You can’t get away from yourself by moving from one place to another. There’s nothing to that.
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