A Quote by Rei Kawakubo
The very, very first thing that I wanted was to make a living - be independent and have a job. It might have come later, that kind of reaction to the boringness of fashion.
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I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. This was in the late '70s, early '80s, so it wasn't like today, where you kind of know all about the industry. Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do.
The life of an actor is very random. It can be exhilarating but terrifying - you do wonder day to day where the next job will come from. Some of my friends are very talented people, but you see them out of work - which can be tough. If you wanted that kind of security, though, I guess you wouldn't be an actor in the first place.
There's a very different kind of psychology going on in the fashion scene than in art. When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice.
Cats are very independent animals. They're very sexy, if you want. Dogs are different. They're familiar. They're obedient. You call a cat, you go, 'Cat, come here.' He doesn't come to you unless you have something in your hand that he thinks might be food. They're very free animals, and I like that.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction so that you can then use that reaction later for something else.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
There's an artist that I listened to for the first time, and I really didn't like them. I had some kind of adverse reaction, and later, it became my favorite thing.
My very first job was something called Nobodys Watching, that Bill Lawrence who created Scrubs, it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, Ive been so itching to get back to that kind of environment and just to be involved with comedy.
I told my parents when I was three that I wanted to be in movies. I don't know what I saw at three years old that would make me decide that's a job and I want to have that job. But I was very confident, very sure that's what I wanted to do. I didn't do anything about it. I didn't prove it to myself or anything. I just knew.
The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
Going to college was a very necessary step in order to have my formative years, which for everybody kind of happens in their teens, but for gay men that don't necessarily come out until later in life, it kind of happens a little later.
The first thing you learn about the music business is that it changes very quickly. You come into it at a certain point and you think you have a handle on it... And then, three years later, the whole thing has been turned upside-down.
I'm living the life that I wanted to live and I'm loving every little thing that I do. Fortunately, I have had a very, very charmed life. Wherever I've been, that's what I wanted to be doing, right then.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
It's a terrible thing to say I know. I've only done what I wanted to do. It's a real luxury. I only made the pictures I wanted to make and lived in the places I've wanted to live. I'm very, very happy.
I was looking very much for a career. My second marriage to Stan Herman had ended, and I wanted very much to be independent, not take alimony from him, be on my own, do the right thing.
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