A Quote by Rei Kawakubo

The first thing we do is sit around a table and discuss what we could pick up from daily life, from space. That's how it starts, completely abstract. There's no kind of, "Oh, let's do Peru," or "Let's do pleats," you know?
It's a wonderful time when you sit down around the table for dinner and discuss life. No matter where you are, it gives the semblance of normalcy to my crazy world.
Do you want to go back to Vienna?” he said. Alec didn’t answer, just stared into space. “Or we could go somewhere else,” said Magnus. “Anywhere you want. Thailand, South Carolina, Brazil, Peru – Oh, wait, no, I’m banned from Peru. I’d forgotten about that. It’s a long story, but amusing if you want to hear it.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
The one thing I've always done, because I like the sound of my guitar from where I sit - meaning not in front of it - so what I do is, I put microphones around my ears. I have them around my head, too. I don't know if it's a superstitious thing, but it's actually how I recorded my first album.
Success is a completely abstract thing - it has no bearing on daily life, family matters, the matter of artistic creation, but it can affect grace, and if I lose that, I really have gained nothing from success.
Well, one thing that I like to do is treat the audience as if they're already kind of at the table - they're already a part of the conversation. They don't need the 101 explanation. It's as if bringing a stranger to the table to sit down with these people who are already acting as peers or friends and opening up and just sharing their stories.
Women are storytellers, they are communicators. They'll go and sit around a table and talk about their first date, their first smoke, their first lipstick, whatever it is. Those rituals of life, marriages and death aren't part of the language of men.
When people come up to me and say, "I was at your Game 7 in the playoffs in Toronto," or, "I saw your first goal in the NHL," that triggers memories. But I don't sit around my kitchen table and tell my kids, "You know, one year I got 92 goals."
When I sit down to the feast of life ... I'm so busy planning on how to pick up the check, and wondering what the other people think of me for paying it, and wondering if I have enough money in my pocket to pay the bill, that I don't get around to eating.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my god, they're gonna think I'm not even gonna be able to sit at the table." But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good. I could just come up with ideas or show somebody things and get the ideas across.
You know, I had a new kind of thought on Black Lives Matter and the All Lives Matter thing. And the best way to explain it is if we're all sitting around at a table having dinner, and everybody gets pie except for you and you say, my pie matters, I don't have pie, and everybody at the table looks at you and says, I know, all pie matters, it shows that the people at the table aren't really listening.
I wish I could make you see how much fuller the life I offer you is than anything you have a conception of. I wish I could make you see how exciting the life of the spirit is and how rich in experience. It's illimitable. It's such a happy life. There's only one thing like it, when you're up in a plane by yourself, high, high, and only infinity surrounds you. You're intoxicated by the boundless space.
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
The whole idea is you can't sit around and do nothing. You have to get up and start living one day at a time. That's what I did my entire career. You can't sit around and say, 'Oh, poor me. Nobody likes me. Nobody is giving me a job.' You have to get up and go. If you sit at home and do nothing, that is what is going to happen.
If we're at a lunch table, I'm going to always sit with the girls. That's just kind of how I am. I always gravitate towards women. I know how to communicate with women.
'Power' usually starts principal photography around mid September, and the first table read is always like one big family reunion. The most common comment we hear is how 'well rested' everyone looks... something that can't be said by the end of the season.
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