A Quote by Rei Kawakubo
I've always said that, growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.
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I've always said that growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.
Growing up in postwar Japan has made me the person I am, but it is not why I do the work I do. It is a very personal thing - everything comes from inside.
I was born in Japan and raised in Japan, but those are the only things that make me Japanese, I've grown up reading books from all over.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose, deboned feeling prevalent in the character and animation culture. Mixing all those up in order to portray Japanese culture and society was my work.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
We discussed the history of postwar Japan and how Japan had missed an opportunity to build a more functional democracy because of the focus on fighting communism driven in large part by the American occupation.
I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I think actually what I'm going to do when I'm done and take my next vacation, is I'm going to go over and start unions in Japan. I'm going to unionize Japan. Because the way they work those crews is so criminal. There's no overtime, so they can just keep going.
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who had come from Japan back to England with [Bernard] Leach when Leach was establishing his pottery.
I spent a lot of time in Japan. To me, I felt like my career was kind of marooned out there. I didn't realize the extent of the reach that New Japan had in America and around the world.
Japan is very much a TV-centered entertainment industry. So, when you talk about big stars in Japan, generally they are people who are on television. I work mostly in movies.
I feel a whole country growing inside me, thousands of years, millions of people, stupid, crazy, shrewd people, and all of them me. I never felt like that before, I never felt that there was anything inside me, even myself.
I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
I do not believe there is the slightest chance of war with Japan in our lifetime. The Japanese are our allies.... Japan is at the other end of the world. She cannot menace our vital security in any way.... War with Japan is not a possibility which any reasonable government need take into account.
Koizumi was not rooted in Japan's rightwing nationalist tradition: he was a pragmatist and a populist. Abe, in contrast, is a rightwing nationalist. Unlike Koizumi, for example, he has questioned the validity of the postwar Tokyo trials of Japan's wartime leaders, which found many of them guilty of war crimes.
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