A Quote by Reinhold Messner

The museum at Ortles is dedicated to the world of ice so we wanted visitors to feel like they were inside a glacier. — © Reinhold Messner
The museum at Ortles is dedicated to the world of ice so we wanted visitors to feel like they were inside a glacier.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
Percy glanced over. He saw the fallen giant and seemed to understand what was happening. He yelled something that was lost in the wind, probably: Go! Then he slammed Riptide into the ice at his feet. The entire glacier shuddered. Ghosts fell to their knees. Behind Percy, a wave surged up from the bay-a wall of gray water even taller than the glacier. Water shot from the chasms and crevices in the ice. As the wave hit, the back half of the camp crumbled. The entire edge of the glacier peeled away, cascading into the void-carrying buildings, ghosts, and Percy Jackson over the edge.
The trouble with you, Vic," he said, "is that you think of the world as a sort of huge museum with too many visitors allowed in.
There was no more grass, no flowers, not even any moss: dusty granite blocks covered the ice and an occasional grinding groan reminded us that we were on a slow-moving glacier.
There are certain things you can say off the ice, but I think it's mostly on the ice. There are certain situations where you feel like the team may need a big play, something like that, where you feel like it's your responsibility to step up and you do that, but I definitely do that more on the ice than off.
ice contains no future , just the past, sealed away. As if they're alive, everything in the world is sealed up inside, clear and distinct. Ice can preserve all kinds of things that way- cleanly, clearly. That's the essence of ice, the role it plays.
It's like boxing a glacier. Enjoy that metaphor, by the way, because your grandchildren will have no idea what a glacier is.
Sometimes it seems the harder you try to hold onto something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain.
Sometimes I feel like a caretaker of a museum -- a huge, empty museum where no one ever comes, and I'm watching over it for no one but myself.
At my school, they have an ice cream special sometimes, and they have this ice cream sandwich, except the sandwich part is like an Oreo and the inside like cookies n' cream ice cream. I love that.
One of the great advantages of the study of old Norse or Icelandic literature is the insight given by it into the origin of world-wide superstitions. Norse tradition is transparent as glacier ice, and its origin is as unmistakable.
Black ice is the smoothest naturally occuring ice there is, as if nature were condescending to art. ... Black ice is an act of nature as elusive as grace, and far more rare. ... I have never skated on black ice, but perhaps my children will. They'll know it, at least, when it appears: that the earth can stretch smooth and unbroken like grace, and they'll know as they know my voice that they were meant to have their share.
Ice cores, which are long cylinders scientists extract from glaciers, ice sheets or ice caps, contain gas bubbles, pollen, dust particles, or chemical isotopes that give scientists clues about what Earth's temperature and atmosphere were like when the ice caps first formed.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
I intend to work until the day I die. I retired from feature-length films but not from animation. Self-indulgent animation. It's nice that I have the mini-theater in the museum. Most of the museum visitors attend the mini-theater screenings and we've never had a complaint about the quality of the films. I'd like to continue to make films that leave the audience satisfied, but I also think it's pointless unless I offer them the kind of animation they can't get anywhere else. They're fun to do. They're short so it's less stressful.
This site uses cookies to ensure you get the best experience. More info...
Got it!