A Quote by Rem Koolhaas

When we went in the late 1990s, Nigeria was still in a dictatorship. So we didn't go with a mission. It started really with a sort of blankness and open-endedness.
I started collecting in the late 1990s. My first purchase was from an auction, a scroll by Dong Qichang, from the early 16th century, the late Ming Dynasty.
The late 1990s were really a moment of still tremendous hope and optimism about the relationship between Russia and the United States.
You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question.
Having children, you have so much more structure in your life. The open-endedness of being a single woman is gone, you know? It's sort of like, from 1 P.M. to 3 P.M. the kids are going to take a nap, so now I have time to sit down and write the lyrics, or once they're put to bed, I have a few hours to focus on those things. I need that. It's a very strange process, really - I can never predict what's going to happen. It always feels uncomfortable and awkward.
We have a choice. We can spend our whole life suffering because we can't relax with how things really are, or we can relax and embrace the open-endedness of the human situation, which is fresh, unfixated, unbiased.
The truth is, it's a totalitarian dictatorship when you're making films. You are the boss. You can listen to other people, and it can be a benevolent dictatorship, but it's a dictatorship nonetheless. A lot of directors go past their first experience, that's what they've come away with.
I mean I've seen so many kids on the street when we're like in the bus, they're screaming 'go Nigeria, go Nigeria,' so to represent them I'm just proud.
When I started reading George R.R. Martin's 'A Song of Ice and Fire' novels, it was the late 1990s and obsessing over fantasy novels was (if painful memory serves) a super-nerdy thing to do.
This phrase, 'culture jamming,' was very much in vogue in the 1990s when these superbrands sort of emerged and started kind of projecting their names onto ever more surfaces.
In the mid 1990s the Korean film industry was really open-minded.
They have been talking about a dictatorship and they were right because there's a dictatorship and there's a government that has been fighting that dictatorship, the dictatorship of the media.
Pope John Paul II not only visited Nigeria twice but stood by the country in its fight against dictatorship and injustice.
Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.
The work of making Nigeria great is not yet done, because I still believe that change is possible, this time through the ballot, and most importantly, because I still have the capacity and the passion to dream and work for a Nigeria that will be respected again in the comity of nations and that all Nigerians will be proud of.
I can guarantee you that at least 90% of my people that are my age group in Nigeria - who are considered the youth - had no clue about how Nigeria, the real origins of Nigeria.
Time and again human consciousness fixates, and slams the door on its greatest gift, the open-endedness of infinite possibility. As a result we do not experience reality but merely our concept of it.
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