A Quote by Rem Koolhaas

Lagos was not very inviting even to Lagosians. It was considered a no-go zone, almost in its entirety. — © Rem Koolhaas
Lagos was not very inviting even to Lagosians. It was considered a no-go zone, almost in its entirety.
Lagos style is fresh and different. Even with the tailors, they get very innovative with their stuff, with the cuts. When my parents used to make the traditional wares, it was a little bit baggy. But now the tailors are able to infuse the European style, making it slim-fit. Lagos style is different, man. Innovative.
I get in that zone, even if I'm relaxing or whatever, where I just zone out. I don't even hear anybody. You could ask me a question five times, and I don't even hear it.
It's always sort of amazing, sitting in Baghdad, to watch visiting dignitaries being received in the Green Zone by politicians who have usually very little support and seldom go outside the Green Zone.
Lagos was the ultimate dysfunctional city - but actually, in terms of all the initiatives and ingenuity, it mobilised an incredibly beautiful, almost utopian landscape of independence and agency.
Artists must literally go into a zone of intense seeing so the subjective and objective almost fuse together.
In Lagos there's a really strong case to resurrect strong parts. Embedded in all of it are some amazing pieces of planning, amazing pieces of engineering and interaction. For instance, the campus of Lagos University is stunningly beautiful, efficient and generous, and that needs to be recognised and preserved.
Everything makes sense to me in Lagos; I even understand myself.
The Universe is not a collection of objects, but is an inseparable web of vibrating energy patterns in which no one component has reality independently from the entirety. Included in the entirety is the observer.
Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member.
I think I have become a very strong person. If you’re able to grow up in Nigeria and go through certain things, you’re able to tackle anything around the world because you’re able to live wherever, if you can survive in a city like Lagos or Warri or Niger Delta, as far as I’m concerned.
There is no 'as far as possible' on the question of untouchability. If it is to go, it must go in its entirety from the temples as from everywhere else.
I love going out of my comfort zone—I live to go out of my comfort zone. Obviously, you have quieter years than others—you don’t go jumping out of a plane every day.
Most traders believe that 'getting into the zone' happens when you have 'a hot streak.' I believe you can create the zone. The zone is a psychological state. It is when you are focused, disciplined, and fully engaged in the process at hand . . . trading in the zone will certainly increase your capacity to perform and succeed.
Everywhere I go, I see young people: Confident, forward looking. I have seen them in Lagos, in Rwanda, in the suburbs of London.
It’s considered perfectly normal in this society to approach dying people who you don’t know but who are unbelievers and say, ‘Now are you gonna change your mind?’ That is considered almost a polite question.
The actual fights themselves are very demanding. You don't want to drain yourself. But it pumps you up, gets you in the zone. It's a good way of getting you into the zone for the scene.
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