A Quote by Rem Koolhaas
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
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Beautiful is he who recognizes what is truly beautiful even if the surface is ugly. Truthful is he who says what is true even if the truth is ugly. Ugly is he who measures beauty by its exterior without first weighing the interior. And ugly is the man who judges harshly what he sees looking out without first judging what he sees in the mirror.
Photography makes one conscious of beauty everywhere, even in the simplest things, even in what is often considered commonplace or ugly. Yet nothing is really 'ordinary', for every fragment of the world is crowned with wonder and mystery, and a great and surprising beauty.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
By explaining the difference between segregation and separation. Segregation is that which is forced upon an inferior by a superior. Separation is done voluntarily by two equals. If I have children and they live in my house, I care for them, they're dependent upon me. And their dependence upon me puts me in a position to regulate their lives, control their lives, tell them where to go, where they can't go. That's a form of segregation.
The decisions we make, individually and personally, become the fabric of our lives. That fabric will be beautiful or ugly according to the threads of which it is woven. I wish to say particularly to the young men who are here that you cannot indulge in any unbecoming behavior without injury to the beauty of the fabric of your lives. Immoral acts of any kind will introduce an ugly thread. Dishonesty of any kind will create a blemish. Foul and profane language will rob the pattern of its beauty.
To experience sublime natural beauty is to confront the total inadequacy of language to describe what you see. Words cannot convey the scale of a view that is so stunning it is felt.
The South is very beautiful but its beauty makes one sad because the lives that people live here, and have lived here, are so ugly.
Socrates, who was a perfect model in all great qualities, ... hit on a body and face so ugly and so incongruous with the beauty of his soul, he who was so madly in love with beauty.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
Absolutely delightful, at first for its unspoiled picture of late-nineteenth-century Japan as seen through the eyes of three remarkable but very different Americans, [the missionary William Elliot Griffis [1843-1928], the scientist Edward Sylvester Morse [1838-1925], and the writer Lafcadio Hearn], and then for the marvelous reconstruction of how Japan worked on their minds, radically changing their perceptions of the country and the whole relationship between East and West--between the barbarian and the civilized. The book is a tour de force.
Sublime in the highest style of intellectual beauty, intellect without effort, without suffering... not a feature is correct – but the whole effect is more expressive of spiritual grandeur than anything I could have imagined. It makes the impression upon one that thousands of voices do, uniting in one unanimous simultaneous feeling of enthusiasm or emotion, which is said to overcome the strongest man.
All our distinctions ire accidental; beauty and deformity, though personal qualities, are neither entitled to praise nor censure; yet it so happens that they color our opinion of those qualities to which mankind have attached responsibility.
Frugality is good if liberality be joined with it. The first is leaving off superfluous expenses; the last is bestowing them to the benefit of others that need. The first without the last begets covetousness; the last without the first begets prodigality.
Ye are ugly? Well then, my brethren, take the sublime about you, the mantle of the ugly!
Whereas the beautiful is limited, the sublime is limitless, so that the mind in the presence of the sublime, attempting to imagine what it cannot, has pain in the failure but pleasure in contemplating the immensity of the attempt
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