A Quote by Remo D'Souza

When I started off as a choreographer, I had to do songs, which I may have wanted to do differently, but directors had their own inputs to give. But now, I take liberty to decide my own dance steps as well.
I have maintained a low profile throughout my career but have always done things in my own unique way, be it dancing or dressing up. On the dance floor, I had my own unique steps and often had to lead my choreographer.
I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.
Dance was something I'd just done at my youth club, and I used to teach dance when I was 14 to 19, 20 years old. I had my own dance group, and then I got more into the acting stuff, and I started doing things for TV. And then I put that on pause, because I really wanted to focus on my real passion, which is music.
Since I was doing all of it myself, I had to decide where I wanted to go with the songs, how to proceed with the chords, if the sound was alright, and all that detail on my own.
'The Madison' we three weeks rehearsed in a nightclub. Brasseur and Frey didn't know how to dance. A choreographer had to teach us how to do the steps.
Now, we deny not, but that politicians may sometimes abuse religion, and make it serve for the promoting of their own private interests and designs; which yet they could not do so well neither, were the thing itself a mere cheat and figment of their own, and had no reality at all in nature, nor anything solid at the bottom of it.
When I first started writing songs, I looked around at the bands that were making it, and they all had the original material. Jimi Hendrix, the Beatles, the Stones - everybody was writing their own songs. That's the way that you established your own identity.
I admired and wanted to be a lot like Angie Martinez. As I got older, I realized that I had a soft monotone voice and that being a DJ may not be the career for me. However, I was so in love and infatuated with hip-hop that I still wanted to be a part and give back the community, so I decided to carve my own path and make my own lane.
What I find in terms of the small success that I've had, with no backing, just doing it off my own back is the way I wanted to do it - I wanted to prove that you can do it on your own.
The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.
As of right this second my main focus is my new album, it'll be out probably towards the summertime, predominately R&B this time. I had a little stint with the dance music and all of that, which I had a good time with- and I love the audience, I love them for accepting me doing it -but I had to go home on this one. Had to take it back to my roots, and not to say that there won't be one, maybe two songs on there that the dance crowd can get into, but the majority, the girth of the album, will be R&B.
No man is so foolish but may give another good counsel sometimes; and no man is so wise, but may easily err, if he will take no others counsel but his own. But very few men are wise by their own counsel; or learned by their own teaching. For he that was only taught by himself had a fool to his master.
I never even wanted to be an actress. I studied mass communication and wanted to study law in Newcastle, for which I even got a scholarship. But by then, I had started modelling. So, I took a year off to decide what to do. But once you are used to working, it's difficult to get back to studies.
I started off playing my own songs, just because I saw it as a means to an end almost of, 'Right, if you want to play gigs, you have to write your own songs.' I mean, they were absolutely terrible.
They had all this talent, and they had no instruments. So they started rap music. They rhymed on their own. They made their own sounds and their own movements.
Till now, I've not had the chance to dance in my films, but in 'Tej I Love You,' I have to dance. I know Sai Dharam Tej is a good dancer, so I am putting in a few hours of practice with the choreographer.
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