A Quote by Remo D'Souza

As far as I'm concerned, dance is a passion for me. I don't do homework and go to the sets. I believe in being impromptu. I just go on the sets and start doing whatever comes to my mind.
Voice work is usually not that big of a time commitment. You can go in for a couple of days or a couple of months, here and there, and just go in and play. I like being able to do that. You don't have that luxury on film sets or television sets.
In terms of comedy, I never did five-minute sets or clubs or anything. I just started doing shows. Coming from that theater background, it never crossed my mind that I should start doing five-minute sets.
That's how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
No one set that I ever do is the same. I mean, if I go to a comedy club, and I perform three sets, all three sets are different because anything can happen in between sets.
The standard "foundation" for mathematics starts with sets and their elements. It is possible to start differently, by axiomatising not elements of sets but functions between sets. This can be done by using the language of categories and universal constructions.
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
I grew up on my dad's sets, but I was never star-struck or desperate to be famous. I grew up being a worker. It took me a long time to realise that my work ended up being seen by people. As far as I was concerned, I was just in the family business.
'Just Can't Let You Go' is a song about passion. It's when you have such a strong passion and love for someone or something that your heart just can't let it go. Whether it's a special boy, girl, or that feeling you get when performing on stage or playing a sport. For me, my passion is music. I just can't let it go!
My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
I felt like this is a story in 'Life', that does not go too far away from the feeling that something like this could really happen - it's part of what makes you connect and stay with the story. The feeling of "all is good and calm" in the beginning really sets you up for when things start to go "not so good..."
I want to continue acting as long as I can because being on the sets is a big stress buster for me. I can't possibly think of stopping my visits to the sets because I'm old.
The grave, where sets the orb of being, sets To rise, ascend, and culminate above Eternity's horizon evermore.
Somebody came and directed a show at my high school. I approached it with sort of the sensibility - "Oh, I know that music. I'm going to go audition." I ended up being in it and I sang and it was mind-altering - to me, to my parents, who had never heard me sing like that. It put a stop to everything else that I was doing - every sport that I played, every instrument, it was all dropped because nothing felt like that. I feel really lucky that I found my passion at that point. There are people who are adults who don't know what their passion is and go through life doing "a job."
Wine sets even a thoughtful man to singing, or sets him into softly laughing, sets him to dancing. Sometimes it tosses out a word that was better unspoken.
One of the rules that I always follow is that no matter how crazy characters may act, and no matter how absurd or strange their actions may be, that it's justified in the character's mind why they are doing it. Not to get all heady about it, but it's fun for me to test how far I can go with things while still keeping it grounded enough that you believe that the character really believes that what he's doing will get him what he wants. It's a personal challenge to me to see how far I can go with that.
My effort is to slip into any role that is offered to me. The minute you go into those costumes, those grand sets, and start prepping up for the role, you become the part or at least start feeling the part.
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