A Quote by Remy Ma

People are always jumping at what's new - who's the next person, who's the hottest thing, or whatever - so to be able to grasp the attention of everybody is difficult. — © Remy Ma
People are always jumping at what's new - who's the next person, who's the hottest thing, or whatever - so to be able to grasp the attention of everybody is difficult.
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
The Grand Prix Final is an opportunity for me to go out and experience new jumping passes in competition. I put in a triple loop-half loop-triple Salchow in the second of the program. It's a very difficult jumping pass so this is a chance for me to try out the new elements and the adjusted jumping layout to get prepared for nationals.
I don't care what your politics are, but I do suggest you pay attention to the next election and go out and vote. It doesn't matter; you can believe whatever you want to believe, but this is the time everybody should be paying a lot of attention.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
Entertainment companies always have to stay on the edge of trying to catch that certain thing that will grab people's attention. And that thing is always changing. Nintendo has been doing this for a long, long time. Originally, we weren't even a video game company, but we were still an entertainment company. So I can't say what that next thing is, but I can say, at Nintendo we're trying to create new ways to play.
I get all dressed up with that Marianne Faithfull face, and the next thing I know, I'm blurting out things that I shouldn't, trying to get attention when, really, I've got everybody's attention already.
I try to run on the hottest days, at the hottest time, because that's the most difficult time. And sometimes I worry about drying out, and dying.
I hold a lot of things in. I'm always making sure everybody is okay. I usually don't rage; I usually don't curse. So for me, it's a great thing to be able to scream and say whatever I want.
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
I think it turned the whole sport around. It got everybody's attention. People who were watching TV live were jumping up and down in their living rooms.
The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.
We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
Every tour we do, everybody's always wondering, 'What's Tommy Lee going to do next? What new, wild and crazy thing is he going to come up with?'
Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person.
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