A Quote by Remy Ma
I couldn't tell you what was my last performance before I was incarcerated. I couldn't tell you what last meal I had, or anything of those things because I didn't think about it; it wasn't important to me. I think about it now. I can tell you everything I ate for the past week. I think that alone makes me a better person.
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I think the lies I make the most are in regards to my hopes and intentions for myself. As for lies I tell other people - I will certainly tell lies. When somebody is very ill and looks awful, and you tell them they look nice. Or if you just ate the last cookie, if someone asked me if I ate the last cookie, I would definitely lie about that.
I love when people come up to me and tell me they are in a relationship because of me. But I equally love the breakup stories, the person who says, 'I left someone last week because of you.' I like to think I saved 10 years of their lives.
When I think about what sort of person I would most like to have on a retainer, I think it would be a boss. A boss who could tell me what to do, because that makes everything easy when you're working.
I think comics is a really good way to talk about skepticism and atheism and things like that... it was easy to tell those stories and, I think, helpful to some people to tell them in comic form. Using visuals makes it easier to break stuff down and makes it somewhat easier to understand.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
If I meet a wise person, I think, 'Yes, tell me more about parenting, about marriage, about how to stay in love. Tell me more about how to be a decent person living in a world that's filled with chaos.'
I was under contract with Hitchcock before I even met him. They wouldn't tell me anything about the film, or who was working on it. They had all sorts of excuses as to why they couldn't tell me anything.
I adored you,” North said. “I just didn’t tell you. You were the most amazing thing that had ever happened to me. Nothing else like you in my world before or since. I was crazy about you. I still am. Ten years later you walk into my office and I see you and it’s like the first time, I can’t think, I can’t talk, I just need you with me. It makes me crazy, but now that I’ve got you back . . . You’re everything, Andie. I should have told you that before.
If I haven't played with a player before and I don't know anything about them, the more they tell me about themselves, the better I will be able to judge how they think and how they play.
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny; whose attitude is: "Tell me more. Tell me all you can. I want to understand more about everything you feel and know and all the changes inside and out of you. Let more come out." And if you have no such friend,--and you want to write,--well, then you must imagine one.
Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
Your father is the first person to tell me that I am lovely who seemed to mean it. The only people who've told me that before were ones who think they're supposed to flatter a princess' 'I think you're lovely,' murmured Eadric. 'Only because you love me,' I said. 'Hmm,' he said, kissing me before I could say anything else.
Even when I do commercials, I try to tell a story about the product. With music, I try to tell the story of the person's struggle for success. And I believe every word I say. I never read anything on the air I don't believe in. I think people sense that about me, and they respond to it.
I think one of the things that writers and creative artists generally have to deal with is the censors that we have in our heads, the voices that we have that say you better not tell that and don't tell that, and people will think you're not a good girl, and your grandmother's going to be mad at you and all of those things.
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