A Quote by Rene Angelil
When it's a live performance, anything can happen.
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I think it's one of those things about live performance - anything goes, anything can happen, and you have to just be ready and able to roll with the punches.
Nothing is going to happen to me, or you, for that matter. Anything can happen, though. Anything can happen. But most always, just normal things happen, and people have happy lives.
Stand-up on the telly is one thing, but seeing it live is something else. There are brilliant comedians playing to rooms above pubs and arts centres around the corner from where you live. And anything could happen at a live gig.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.
The adrenaline of a live performance is unlike anything in film or theater. I can see why it's so addictive.
I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.
If you confine it, you're confining a whole thing. If you make it spontaneous, so that anything can happen, like we don't want to confine or restrict anything. What we can do, whatever we can let happen, you just let it happen.
I think that there is such power with the live performance of it - so much of what 'Motown' is about is the live performance aspect, really. The power of our production is really the music and the performances.
I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.
I guess if you live long enough, anything can happen.
This is a fast-paced world we live in, especially the sports and entertainment industry. There is a constant demand for performance, for something new, something excellent. That doesn't just happen. You have to have enough inside to pour out.
Focus on performance. Outcome is going to happen. No stress about that. Focus on performance.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
Anything can happen, and you have to be able to understand the reality of the world that we live in.
I've always enjoyed and loved playing live. I relish and cherish it more than anything else because you never know what the performance is going to be.
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