A Quote by Rene Auberjonois

The only other series I worked on a regular basis was Benson, and that was a sitcom, so there really wasn't a chance to go deeply into the characters. — © Rene Auberjonois
The only other series I worked on a regular basis was Benson, and that was a sitcom, so there really wasn't a chance to go deeply into the characters.
I really, really want the WWE to be able to perform on a regular basis in China. I think we should be able go to India on a regular basis.
When you're just in there with the same guys on a regular basis, I think there's a chance to become a little - I don't want to say lazy, but I'll say complacent. So to get a chance to go in there and mix it up with these other guys is exciting.
It's been an interesting progression, going from soap to a sitcom with 'How I Met Your Mother' and now being a series regular on 'Homeland.'
So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.
I really love Philadelphia and all of the fans, my teammates, the front office, the organization, everybody. I know I'm going to miss them. I really appreciate everything we did together. On the other side, I am happy because I have a chance to go to the playoffs. Another opportunity, maybe, to go to the World Series.
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
Sometimes losing a series regular, if you're going to replace them with another series regular, that will put added pressure on your budget.
I'm looking forward to playing some really despicable characters at some point in my career so I can branch out and stretch those acting muscles. But I wouldn't want to do that on a regular basis.
When people come to see my stand-up, they get a chance to see my characters interact with each other. I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
The characters are not allowed to change if you write a sitcom; they're not allowed to learn anything. There's all these sorts of rules, and you go, 'I just want to be able to write one character and then leave that behind.' Also, as a performer, and I may regret saying this, but it would be my own personal hell to be trapped in the sitcom.
As far as playing different characters within the character, I think that's fun. Very rarely, on TV, do you get to do that on such a regular basis.
I never wanted to do a regular sitcom, because I'd be incredibly bored doing the same character week in, week out. But the beauty of 'The Simpsons' is that it's 15, 16, 17 characters. It's the variety that keeps it interesting. And hey, they're all my children.
I thought 'Benson' was going to be more of an ensemble show. But it was called 'Benson' for a reason.
If you're not prepared to go out and steal the show every night, your job is going to be much more on the line on a regular basis. If you can master that, that's something that you never really have to worry about.
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