A Quote by Rene Auberjonois

I came out of repertory theater, where I worked 50 weeks a year, and I loved working with a team. — © Rene Auberjonois
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with a team.
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
I came up through the theater. I came out of drama college and started working in the professional theater.
I'm interested in working with groups of actors to tell complicated stories about what's happening to people, and that's because I came out of the theatre where I worked in ensembles, and I really loved that.
Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.
When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
I tried out for my basketball team every year and I never made it. You had to buy the shoes before you knew if you were on the team because it took a few weeks for them to ship. I bought the shoes every year, never once made the team, had a ton of high school basketball shoes.
I was a repertory actor, which meant that I did a play every week. I was a different character every week; for a year, I was doing 40 or 50 characters.
I worked in a supermarket for a year; I worked in a finance department at a university, a pub, busking and singing. I tried to be a nanny for about three weeks.
I loved working in Pittsburgh - the theater there is amazing, so many different types of theater.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
You can't settle a 50-year conflict in 52 weeks.
I went to watch a movie in a theater, a couple weeks ago, and the trailer came on. My face is in the trailer, and then my name came up on the credits, and this is the dream you dare to dream, that came true.
Maybe six months out of drama school, I was working at the Dundee Rep Theatre, I worked there for about a year, and I had an audition for the National Theatre of Scotland. I went into the audition room and when I came out I realized my fly was undone. I did this whole dramatic speech with my fly hanging low.
...consumers do not buy one brand of soap, or coffee, or detergent. They have a repertory of four or five brands, and move from one to another. They almost never buy a brand which has not been admitted to their repertory during its first year on the market.
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