A Quote by Rene Burri

It took me six years to get close to Picasso. I learnt a lot from him, and he was an absolute genius. He almost became my grandfather at the time. It was like he was a magician or something.
The one who really captured me and became my absolute favorite was Nat King Cole. He was a genius at what he did. Most people don't realize what a great pianist he was. After listening to him for years, I finally met him, and he was the nicest human being.
If you stick with a vision, it might not all work, but some of it will be absolute genius. To me, 15 minutes worth of absolute genius in a film is so much better than two hours of mediocrity. I would rather pay to see something different like that.
It took me five years on Lyndon Johnson, ten years on the Kennedys, six years on the Roosevelts. Inevitably, you get shaped by the people that you're thinking about during that period of time.
Well Socrates is 70 when he dies. He's been allowed to philosophise freely in the city for almost 50 years. He clearly was - genius is an overused word - but he clearly did have something of the genius about him.
It only took me six months to get a record deal, but it took me 20 years to have a hit.
It took a long time, and a lot of years, for me to get comfortable with myself, like the way I am now.
A lot of people may know me for my music now. It took me almost 14 years to get where I am, and it was really hard.
My interest was magic, believe it or not. I became an amateur magician and did something like 400 magic shows through my teen years.
At the moment we're trying to keep what we've learnt. Because we learnt a terrific amount with 'Deep Purple In Rock,' it took six months to make that album: we think it paid off, really. I can honestly say that it's the first album we've been 100 percent satisfied with; it gave us a hell of a lot of confidence.
I used to hang out with grandfather all the time because he used to pick me up from school sometimes, or drive me to my mother's, so I'd be with my grandfather a lot. I used to watch him write his sermons.
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
Around 1974, I graduated into the occult, and spent a sold six or seven years immersed in the Kabala and the Chaldean, Celtic, and Druidic traditions I also became fascinated with Aleister Crowley, the nineteenth-century magician who shared these beliefs.
When I was with John it took me awhile to say, 'I'm in love with him.' I loved him as a person because I'd known him for three years. But as the person I'm living with who became my lover, it was really a slow move.
A writer has to take all the risks of putting down what he sees. No one can tell him about that. No one can control that reality. It reminds me of something Pablo Picasso was supposed to have said to Gertrude Stein while he was painting her portrait. Gertrude said, “I don’t look like that.” And Picasso replied, “You will.” And he was right.
The ceremony took six minutes. The marriage lasted about the same amount of time though we didn't get a divorce for almost a year.
It takes me a long time to get with a landscape. It took me 20 years before I wrote anything about Ibiza, and I haven't written about Oregon yet, although I've been there 20 years - possibly I'm almost due.
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