A Quote by Rene Magritte

Too often we tend to reduce what is strange to what is familiar. I intend to restore the familiar to the strange. — © Rene Magritte
Too often we tend to reduce what is strange to what is familiar. I intend to restore the familiar to the strange.
The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.
Too many films today feel formulaic and familiar. I prefer it when the familiar is made to feel strange.
Philosophy, beginning in wonder, as Plato and Aristotle said, is able to fancy everything different from what it is. It sees the familiar as if it were strange, and the strange as if it were familiar. It can take things up and lay them down again. It rouses us from our native dogmatic slumber and breaks up our caked prejudices.
I was thinking about what it was like for my parents to have a strange kid with a hobby or a pursuit that maybe they weren't that familiar with. It must have been a strange experience - nerve-wracking, in some ways.
We are torn between nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
Thoughts rearrange, familiar now strange.
The flesh of past lovers looks both familiar and strange.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.
The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.
I've never quite understood that feeling: that you arrive in a strange place, yet you want to have nothing but familiar experiences.
The road to wisdom is paved with excess. The mark of a true writer is their ability to mystify the familiar and familiarize the strange.
It's about finding meaning through light. I'm always interested in tensions. A primary one is the collision between the familiar and the strange.
I like to say that while antimatter may seem strange, it is strange in the sense that Belgians are strange. They are not really strange; it is just that one rarely meets them.
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