A Quote by Rene Marie

To be up on stage and interacting with musicians, that was a huge epiphany for me. — © Rene Marie
To be up on stage and interacting with musicians, that was a huge epiphany for me.
People see musicians on a huge stage playing a festival for 80,000 people and are like, "Oh, they have such magnetism," but it always embarrasses me more than it makes me feel proud.
Above the stage was a glass-floored second stage, which allowed customers to look up and watch another girl dancing overhead. This multidimensional display of poontang reminded me of the 3-D chessboard on Star Trek, which in turn reminded me that I was a huge nerd.
I came in touch with music at an early age. My father was a show band promoter, who took me along as a little nipper of five and put me up on the stage with the musicians to sing.
I was 12 when I was on stage for the first time and had an epiphany that this is what I wanted to do.
One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
It has been an honor to paint on stage and have my art grace the albums and stage sets of renowned musicians.
Actors improvise on the stage and enjoy interacting with audiences.
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.
You should play with real musicians; the best music comes from real people interacting with each other.
I made the decision to go on stage after my father died. And he would have wanted me to. But I won't try and plug huge grief up with the false world of show-business ever again.
Interacting with Karan Johar was huge and my first Weekend Ka Vaar really went bad.
We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
Musicians always respected me because they knew I'm a huge music lover and I know what I'm talking about.
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