A Quote by Rene Marie
I don't see how a person can be sensuous - unless they're just, you know, following some kind of script - without being vulnerable.
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Being seen means that your being is held by the other person without comment, without praise or blame or indifference - just with some kind of open care.
What I mostly do is take the script, analyse the hell out of it, see what's in there, see what kind of person I'm dealing with, and then forget I'm playing a father and just play a person who exemplifies all those things.
It slightly depends on your perspective, sort of how you look at these things, but when I sit down to write a script, I'm not planning to write a script; I'm planning to make a film, and so I only see the script as being just a step there.
You cannot collaborate with another person toward some common end unless you know him. How can you know him, and he you, unless you have engaged in enough mutual disclosure of self to be able anticipate how he will react and what part he will play?
I had identified discipline as a really important part of my life, in maintaining my sanity. It's kind of interesting when people don't know me and then get to know me and see just how workaholic I am and how unhappy I am when I don't have something to work on, or if I am not provided with the tools to be able to accomplish those things, like touring without my looping rig or without a piano, I'm just kind of like, 'Aahhh, what do I do with my day?' To me, that's just a large part of my sanity.
Anything that we know how we do, machines will do better. Now, the key element of this phrase is, "We know how we do it." Because we do many things without knowing exactly how we do them. So this is the area where machines are vulnerable, because it still has to learn from some kind of experience. It needs something - at least the rules of the game. You have to bring in something that will help the machine to start learning. It's like square one. If there's nothing there, if you can't explain it, that's a problem.
What matters is that someone—that you—know me that well. When a person can see into your soul, it's hard. It forces you to be open. Vulnerable. It's much easier being with someone who's just more of a casual friend.
The script was just the best I'd read in a long time and I love the humor, which I wasn't expecting, and I like the fact that my six year old daughter can see the show without being, you know, protected from it.
If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.
It would be really cool to have some more roles where it doesn't matter how a character looks. You get a script, you see it, and it doesn't matter: there's no description of how the character looks in any way shape or form; it's just, whoever is right for the role is the person.
I was being categorized as some kind of twangy songwriter. And that's just not how I see myself.
There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.
The essence of any religion lies solely in the answer to the question: why do I exist, and what is my relationship to the infinite universe that surrounds me? It is impossible for there to be a person with no religion (i.e. without any kind of relationship to the world) as it is for there to be a person without a heart. He may not know that he has a religion, just as a person may not know that he has a heart, but it is no more possible for a person to exist without a religion than without a heart.
Language and written language are the only real way we have to see inside another person's thoughts and to know what makes another person human. Without writing, we just wouldn't have that kind of access.
You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
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