A Quote by Rene Redzepi

A gastronomical supermeal didn't necessarily have to involve the things I had brought from other top kitchens. — © Rene Redzepi
A gastronomical supermeal didn't necessarily have to involve the things I had brought from other top kitchens.
Look at something like cooking. Now, you would hear a lot about smart kitchens and augmented kitchens. And what do those smart kitchens actually do? They police what's happening inside the kitchen. They have cameras that distinguish ingredients one from each other and that tell you that shouldn't mix this ingredient with another ingredient.
Nothing fails like success. Because when you are at the top, it's so easy to stop doing the very things that brought you to the top.
I brought samples in, because I didn't have any comic book samples, and I brought all these illustrations that I had influenced by Norman Rockwell and a couple of the other big boys. That's all I had, that's all I brought.
All our relationships are person-to-person. They involve people seeing, hearing, touching, and speaking to each other; they involve sharing goods; and they involve moral values like generosity and compassion.
I love hi-tech kitchens, but that doesn't necessarily mean full of appliances.
Simplicity is key. Some people like really high-tech kitchens, where you have warming drawers and ice makers and storage for a million different things. Honestly, for me, I need an oven, a stove top, a fridge and a sink.
I said a lot of things about which I was wrong. Now I have to sit back and take what's coming, and I will. I still like women in the bedrooms and kitchens in that order, but some of them can do other things.
I was brought up imagining that cream rises to the top, merit wins out, the race is to the swift and riches to men of understanding, but it ain't necessarily so. The swift stand a better chance if they are also beautiful.
I hate kitchens. I don't understand these enormous American kitchens that take up half the living room and then they just order pizza.
My father was a self-employed, commission-only salesman. He sold double-glazing and fitted kitchens, amongst other things. As he never declared himself unemployed, there was never recourse to benefits, so if money was tight, money was tight. It taught me that we were a closed unit, and that we had to be resourceful.
Being someone who had had a very difficult childhood, a very difficult adolescence - it had to do with not quite poverty, but close. It had to do with being brought up in a family where no one spoke English, no one could read or write English. It had to do with death and disease and lots of other things. I was a little prone to depression.
It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.
I was fitting kitchens before I could afford not to - so I was still fitting kitchens whilst the first series of The Inbetweeners was coming out.
There's a number of other things where people can advocate for their positions, from a faith point of view on right to life and a whole range of things, that don't involve removing the rights of another Canadian.
After years of working in professional kitchens, and then spending so much time in a lot of different home kitchens, I realized that there's a huge gap in the market where you have people who develop cookware but who don't actually cook.
'Revolution' does not necessarily involve sanguinary strife nor is there any place in it for individual vendetta. It is not the cult of the bomb and the pistol. By 'Revolution' we mean that the present order of things, which is based on manifest injustice, must change.
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