A Quote by Rene Russo
There is so much more than that little space from 14 to 40. And if you cut that off and begin to believe that you are not good past a certain age, then you end up scared and insecure and afraid. That is definitely NOT beautiful.
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When you're young, and you have long hair, it's just really long hair. And then you get to a certain point where you start to look after it, and then people will tell you that you have to cut a little bit off so it grows quicker. And it just doesn't. It just has more cut off. And I think I just got really annoyed with it.
For the past 25 years as an adoption attorney, I have witnessed the extraordinary courage and compassion of women - from age 14 to 40 - facing unplanned pregnancy. Not once did I believe that the government should interfere with their personal and private decision.
I was 24 when I was blacklisted. I was 36 when I got off the blacklist. How much of a life does an actress have in L.A. past 25? ... I was really scared of having producers know that I was on my way to 40.
If I want to walk out in the desert and heat up a can of beans on a fire, I still can. In those movies like Gattaca or whatever, the space age stuff is always all there is. But in the world there is never just one way of living. It's more like a big junkyard. Put it this way: I'm not afraid I'm going to end up on a space station in aluminium-foil underwear.
Jesus becomes the captive of the hysterically religious, the chronically fearful, the insecure and even the neurotic among us, or he becomes little more than a fading memory, the symbol of an age that is no more and a nostalgic reminder of our believing past. To me, neither option is worth pursuing.
The Canon AE1 - a fully manual camera. [My mother] had a 50mm, which is a standard lens, and then I got a 28mm. Then I started a little punk magazine, a zine, when I was 14 or 15 years old. I was shooting my friends skateboarding and it was the beginning of the Macintosh. We wouldn't do layouts on the computer; we would pick the font and then type up a paragraph and then print it out and cut it up and put it in a little mock-up and Xerox it.
I still get scared every time I go out. I get scared taking off; I get scared on the wave, falling, everything. But, you know, growing up with it, I guess you're a little more comfortable.
Dressing up is a bore. At a certain age, you decorate yourself to attract the opposite sex, and at a certain age, I did that. But I'm past that age.
It was time to come up here and retire with my wonderful husband, and my children and my grandchildren, and make that change. I'm not good at hanging on. When I make a decision to cut it off, I have to cut it off completely. I'm not good at, "Oh, I'll stick around and consult a little bit." I'm not good at that and I don't want to do that. I don't think you get anywhere doing that. I mean, I don't, although other people might. But that's not my personality. It's not my id. I have to make the break and be a good sport and adjust to it.
People are scared. People are generally xenophobic - they're scared of what's different. If you're ignorant as well as scared, then you might end up hating something that you're scared of.
I have insecurities. But whatever I'm insecure about, I don't dissect it, but I'll go after it and say, "What am I afraid of?" I bet the average successful person can tell you they've failed so much more than they've had success. I've had far more failures than I've had successes. With every commercial I've gotten, there were 200 I didn't get. You have to go after what you're afraid of.
There are certain things you can say off the ice, but I think it's mostly on the ice. There are certain situations where you feel like the team may need a big play, something like that, where you feel like it's your responsibility to step up and you do that, but I definitely do that more on the ice than off.
You definitely have to be focused at certain times in your life and in your career, but at the end of the day, there's only so much you can do. Then you just have to chock it up to fate.
The truth is that from the age of 14, I felt about 40, and for that reason, I felt that I would never succeed as an actor until my looks caught up with my actual age.
When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.
I threw up again that night, half-afraid that my eyeballs would explode. But it was, by far, more important that I get rid of dinner. Of course, by then, throwing up was the only way I knew how to deal with fear. That paradox would begin to run my life: to know that what you are doing is hurting you, maybe killing you, and to be afraid of that fact--but to cling to the idea that this will save you, it will, in the end, make things okay.
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