A Quote by Rene Russo
I came out of a culture when there wasn't tweeting and everyone with a camera in their hands. I didn't grow up with it, so I'm not always thinking about it, but there have been times when I looked over, and I saw that someone was recording my conversation.
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I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces, and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent and self confident they were, they ended up seeing themselves reflected in me and thinking that they were worse than they were. Please don't let that happen to you.
I came from the projects. So there were times I'd wake up at night, and my palms would be itching to get out. But no matter where I was, I always looked at the stars, because there's nothing ugly about the sky. That was my escape.
If you're tweeting - and this is what I tell the young athletes who come to me about these situations, because I've been through them and I've seen both sides of it - if you're tweeting just because everyone else is tweeting and you're not uncomfortable, if it doesn't feel like a sacrifice - like when I wore that T-shirt it was a sacrifice.
Before every game I used to go out and shot the same shots over and over and over. In the summer time I spent a lot of time just shooting. So really it just came natural. Whether it's a tie game or down by 1 or up by five, it was always the same shot. So I always felt comfortable with the ball in my hands because it was in there a million times before.
We're seniors." "I know," I said "So aren't you... curious?" "About what?" "About life. Out there. Life!" she said again. "Tell me, Cameron Ann Morgan, what do you want to be when you grow up?" We'd reached another door, and I stopped and looked up at the camera that monitored the entrance, just as I whispered, "Alive.
He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.
When I first came out with Blue, everyone compared me to Patsy Cline, which is the biggest honor, 'cause I've always looked up to her.
I looked at my hands to see if I was the same person. There was such a glory over everything. The sun came up like gold through the trees, and over the fields, and I felt like I was in heaven.
Does everyone grow the way you do?" puffed Milo when he had caught up. "Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up towards the sky. But we do our best to discourage awkward things like that." "What happens to them?" insisted Milo. "Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods.
When I was about 14. I saw my first mountain. I saw the ocean for the first time. I remember thinking that that ocean looked very similar to our wheat fields. I didn't know what I thought I would see when I looked out at the ocean, but I thought I'd see something different.
You know, I've been thinking. Everyone makes peanut butter and jelly sandwiches but usually the jelly drips out all over the side and the guy's hands get all sticky. But your jelly stays right in the middle where it's supposed to. I don't know how you do it? You just got a gift, I guess. I've always thought so. I've just never mentioned it. But it's time you knew how I feel. I don't believe in keeping feelings bottled up. Goodbye, my wife.
In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?
I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.
Mr. Crossley suddenly wondered why he was why he was worrying about the note. It was only a joke, after all. He cleared his throat. Everyone looked up hopefully. 'Somebody,' said Mr. Crossley, 'seems to have sent me a Halloween message.' And he read out the note: 'SOMEONE IN THIS CLASS IS A WITCH.' 6B thought this was splendid news. Hands shot up all over the room like a bed of beansprouts. 'It's me, Mr. Crossley!' 'Mr. Crossley, I'm the witch!' 'Can I be the witch, Mr. Crossley?' 'Me, Mr. Crossley, me, me, me!
I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry. Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.
There have been times I almost got a persecution complex. I felt like people wouldn't let me grow up. They always saw me as a smiling kid or goofy teenager, no matter how much I'd changed.
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