A Quote by Rene Russo

Oh, my gosh, I've never seen a film unless, you know, if I have to go and do ADR, loop-loop. But I don't watch after. I'm too critical. — © Rene Russo
Oh, my gosh, I've never seen a film unless, you know, if I have to go and do ADR, loop-loop. But I don't watch after. I'm too critical.
I think of every double-decker loop as another loop towards my death. And that is why I've always thought of the double-decker loop as - each loop as a continuous and individualized search for perfection.
Sometimes there are times you actually don't want to be in the information loop on some rumors; because once you're in the loop, then if something leaks, you're one of the people in the loop.
With women, I've got a long bamboo pole with a leather loop on the end. I slip the loop around their necks so they can't get away or come too close. Like catching snakes.
I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
Many visitors to Chicago know the Loop, the shops on the Magnificent Mile, and the Museum Campus. Meanwhile, much of the bustle is in the developing neighborhoods around the Loop: North, South and West.
Shakin' like a bowl of soup and make your body loop-de-loop.
It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.
Animal crackers in my soup Monkeys and rabbits loop the loop Gosh oh gee but I have fun Swallowing animals one by one In every bowl of soup I see Lions and Tigers watching me I make 'em jump right through a hoop Those animal crackers in my soup When I get hold of the big bad wolf I just push him under to drown Then I bite him in a million bits And I gobble him right down When their inside me where it's dark I walk around like Noah's ark I stuff my tummy like a goop With animal crackers in my soup.
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
Part of it is living in Tennessee. I'm so out of the loop. And as a person, I'm out of the loop. I'm oblivious by nature.
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
People repeat behaviour that leads to flooding their brains with pleasurable chemicals. The short-term reward loop acts over hours to years, and the long-term reproductive success loop over generations.
It's a weird sound [ "Animals"] inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
Everybody's got money for vacation time. Look at how much we all spend just to get - well, I get sick on the loop-the-loop roller coasters. People pay money for that kind of experience. So I would certainly save up money, save several vacations worth of money, to go on a suborbital flight or any rocket flights.
Observe, orient, decide, act. It's fighter pilot terminology. If you have the faster OODA loop in a dogfight, you live. The other person dies. In Silicon Valley, the OODA loop of your decision-making is effectively what differentiates your ability to succeed.
The Grand Prix Final is an opportunity for me to go out and experience new jumping passes in competition. I put in a triple loop-half loop-triple Salchow in the second of the program. It's a very difficult jumping pass so this is a chance for me to try out the new elements and the adjusted jumping layout to get prepared for nationals.
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