A Quote by Renee Elise Goldsberry

I used to say if there was anything I would really want to have as I kind of get older in my career, it would be wonderful to have relevance to somebody in some way so that I could continue to work on some level.
For me, it [moviemaking] is about social relevance. I want to make a movie that has some type of relevance where as the audience can't help but relate it in some way, and to continue that conversation outside the theater. I want people saying "this happened to my father" or "this happened to me." That's what I want.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
My aspirations were never anything other than I really, really admired certain singers over the years, and I just wanted to do the best I could. And that has been kind of like the way I've been fortunate enough to be able to have a career, have some success, and yet continue to learn my craft.
I would never accept a role that wasn't going to stretch me or challenge me in some way. I'd say Holy Smoke! probably did that more than anything I'd ever done. It took me to places I didn't actually know I could go to, and that's what I want my career to be all about.
Now I also want to say, without a doubt, there are some wonderful, wonderful, absolutely wonderful things about being a man. But at the same time, there's some stuff that's just straight up twisted, and we really need to begin to challenge, look at it and really get in the process of deconstructing, redefining, what we come to know as manhood.
I think there should be some way to find some kind of reasonable accommodation that allows the state to continue to say, you know, that women's rights supersede any kind of a cultural custom that's oppressive to women, but also potentially allows a woman to take the oath, I don't know, in a separate room. It would be up to the court to find some kind of cultural accommodation.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
I could have spent eight years doing anything, and at some level, it would have been fine. I could have focused on flowers. I could have focused on decor. I could have focused on entertainment. Because any First Lady, rightfully, gets to define her role. There's no legislative authority; you're not elected. And that's a wonderful gift of freedom.
I can't believe that this world can go on beyond our generation and on down to succeeding generations with this kind of weapon on both sides poised at each other without someday some fool or some maniac or some accident triggering the kind of war that is the end of the line for all of us. And I just think of what a sigh of relief would go up from everyone on this earth if someday-and this is what I have-my hope, way in the back of my head-is that if we start down the road to reduction, maybe one day in doing that, somebody will say, 'Why not all the way? Let's get rid of all these things'.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.
I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.
Auditions are great, and you definitely want to continue to make progress as an actor, you want to continue to see some advancement in your career. But when you get out there, you don't realize how many auditions you have to go on before you actually get work.
I was a really, really serious kid. And a really kind of controlling kid. Like I had things that, now, people would say are like - there's a name for many disorders as we know - but I would say, "If I pick this rubber band, then this will happen." It was that kind of want to control things, which I think all kids have to some extent.
And at some point I would like to talk my publisher into doing an anthology of my poetry alongside some teen readers' poetry. It would be fun, and really wonderful to get their stuff out there.
And at some point I would like to talk my publisher into doing an anthology of my poetry alongside some teen readers poetry. It would be fun, and really wonderful to get their stuff out there.
I saved letters from my boss. There are things in there that are directly transcribed. I was so glad I did that. Sometimes when I was writing the book I wondered if some little writer hobbit part of my brain was back there puppeteering that action. But it really never, on any conscious level, occurred to me that I would write about it. I will say, I thought probably some day there would be an ancillary character in some novel - not in the one I was currently writing - that would be a dominatrix or something.
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