A Quote by Renee Elise Goldsberry

This #MeToo world, it's not new. None of us believe it's new. It's exciting that we find ourselves with a hashtag and a movement, but in general, none of these stories are new; it's just there's an audience now, and everybody's interested in trying to be responsible about this.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
I wouldn't say I'm changing myself to find a new audience. It's about growing, trying new things. There's a whole other world out there that doesn't know who Prince Royce is.
In this new, hyper competitive age, none of us, none of us can afford to be complacent.
There are some channels that are trying out new content. These shows have new and fresh stories. The trend on TV is changing, and along with this, there are web series, too. But the audience needs to get used to these stories.
Everybody's trying to repeat the past with the new network, with new devices and new tools. Why not make something brand-new?
The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we're just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A.
Hospitality is the key to new ideas, new friends, new possibilities. What we take into our lives changes us. Without new people and new ideas, we are imprisoned inside ourselves.
Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
You're always trying to find new stuff and new inspiration. If you don't really push and you don't try something that feels exciting, then it's not worth doing.
Ice shows give us the opportunity to forget ourselves and just perform. They are amazing opportunities to be in front of audience to try out new material, to show new costuming. It's an incredible opportunity to do what we do without the stress of worrying about what a judge is going to say.
I think it's important to recognise that 'The Da Vinci Code' opened up a vast new audience for a general readership interested in historical detective stories and research into history.
Nobody stands out right now. Everybody has similar styles. None of these fighters have reinvented the wheel and created a new style.
From purest wells of English undefiled None deeper drank than he, the New World's Child, Who in the language of their farm field spoke The wit and wisdom of New England folk.
I find myself now preaching about the golden age of manned spaceflight, because something went on there, within us, that we’re missing. When we went to the Moon, it was not only just standing on a new plateau for all mankind. We changed the way everybody in the world thought of themselves, you know. It was a change that went on inside of us. And we’re losing that.
Each year when we set up a new tour, we kind of push ourselves to come up with new ideas and new exciting things.
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