A Quote by Renee Fleming
An interpretation exists because of what we find between the notes.
Related Quotes
I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.
In the performance sense, I find that interpretation is improvisatory in nature. You can go anywhere with an interpretation on any given day.
Wherever desire exists ego exists, and wherever ego exists illusion exists because ego is the greatest illusion there is. Even in a beggar who has nothing else you will find the same ego as you will find in Alexander the Great, because desiring is the same. Alexander the Great may have much money and much power, that does not matter; he is still desiring. The beggar may not have anything, but he is also desiring.
In rock n' roll, there are notes that aren't like notes. They're something in between, and it's the way you scoop into it.
The silence between two notes is as beautiful and meaningful as the notes themselves.
I still really love the world and the universe and the mythology of 'Halo.' If I was given control, I would really like to do that film. But that's the problem. When something pre-exists, there's this idea of my own interpretation versus 150 other people involved with the film's interpretation of the same intellectual property.
The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides.
The notes I handle no better than many pianists. But the pauses between the notes - ah, that is where the art resides.
I don't think I handle the notes much differently from other pianists. But the pauses between the notes - ah, there is where the artistry lies!!
A lot of young drummers have a tendency to really overplay. Sometimes simple is better, and the notes that aren't played between the spaces are bigger than the notes that are.
On Pinwheel, you can find and leave notes all around the world. The notes can be public or private, shared with an individual, a group, or everyone.
Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.
For notes related to books I'm writing, I've wondered whether I should organize my notes better, but I do find that the action or scrolling through them and seeing odd juxtapositions of ideas helps to stimulate my own ideas and creativity. I worry that if I kept the notes in a highly-structured way, I might lose some of these benefits.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
Life is an interpretation of a series of facts, and that interpretation is really what life is about. So the division between non-fiction and fiction has a certain logic, but it's a very limited one. And by and large, it isn't helpful.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
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