A Quote by Renee Fleming
Music was language in our house. It was air.....I feel certain that if I absorbed any lessons at all in the first months and years of my life, they must have been about the work that went into making a beautiful sound.
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I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.
I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.
Everything in my life has been about sound and making music, so Beats represents just that - the improvement of sound and the dedication to everything I've been doing from the day I started.
I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
I was the first Navy, Marine or Air Force person who had been an astronaut to return back to the Air Force. I had certain expectations about what would be a reasonable and desirable position to be assigned to after my years of service.
[The doctrine of air] I was led into in consequence of inhabiting a house adjoining to a public brewery, where I at first amused myself with making experiments on the fixed air [carbon dioxide] which I found ready made in the process of fermentation . When I removed from that house I was under the necessity of making the fixed air for myself; and one experiment leading to another, as I have distinctly and faithfully noted in my various publications on the subject, I by degrees contrived a convenient apparatus for the purpose, but of the cheapest kind.
When I first started making music, for about the first 10 years, I was always the young kid. Everyone referred to me as such in any band.
As for the once-revolutionary 'Agon,' after more than half a century, its lessons and revelations have been so absorbed into the language of ballet that it now seems almost conventional.
It's odd. Though I've spent years working with and creating images, I feel most comfortable expressing myself through writing. I'd been in denial about this for many years. At school I was highly lauded as having the potential to write one day, but being a typically rebellious and misguided teenager I opted to study art. Ironically language has pervaded all the work I have done - from my first forays into an art practice many years ago to my work with typography and book design.
After the first album, I felt like I needed to one up myself - get even bigger features - and I spent six months thinking about that and not making any music.
Ballet Beautiful is about finding balance and making fitness a part of your life in a happy, healthy, rewarding way where you get to feel pretty and look beautiful. It's not about beating yourself up in the gym and locking yourself in a dark room with blasting music.
Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
Percussion music is revolution. Sound and rhythm have too long been submissive to the restrictions of nineteenth century music. Today we are fighting for their emancipation. Tomorrow, with electronic music in our ears, we will hear freedom. At the present stage of revolution, a healthy lawlessness is warranted. Experiment must necessarily be carried on by hitting anything-tin pans, rice bowls, iron pipes-anything we can lay our hands on. Not only hitting, but rubbing, scraping, making sound in every possible way...What we can't do ourselves will be done by machines which we will invent.
I've always been someone with a small circle of friends. Each stretch of my life has been defined by one person who was just my person. We became inseparable for a certain number of years, and that time was our season, just the two of us making our way through life.
I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
Every four years, the eyes of America become riveted on the national election returns. But God's first concern during any political season is not the same as our first concern - it is not about what is happening, or going to happen, in the White House. God's first concern is what is happening, or not happening, in His house.
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