A Quote by Renee Fleming

I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that. — © Renee Fleming
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
Miss Renata Tebaldi was always sweet and very firm... she had dimples of iron.
As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
I had this exceptional classical music voice. If I'd followed a true path for my talent, I would have ended up being an opera singer.
My mother was an opera singer and my grandmother a concert pianist, and they only liked classical music. If I put on a pop record, they would tell me to turn it off, so I only listen to classical.
I had classical training but I don't consider myself an opera singer though.
I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.
In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.
My father was an opera singer who constantly tried to persuade me not to enter into an artistic career.
It was the transmutation of the classical liberal intellectual foundation by Christianity that gave modern Europe its impetus and that pushed European accomplishment so far ahead of all other cultures and civilizations around the world.
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
A man's ideal, like his horizon, is constantly receding from him as he advances toward it.
This site uses cookies to ensure you get the best experience. More info...
Got it!