A Quote by Renee Fleming

I want to get out of the major opera houses. — © Renee Fleming
I want to get out of the major opera houses.
Opera needs a major makeover; the large opera houses are too in thrall to their conservative patrons.
The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.
Americans, they have an incredible operatic tradition: the Metropolitan Opera House is - if not the most prestigious - one of the most prestigious opera houses in the world for over 100 years.
I love singing opera, but the world surrounding it is not me. I want to be barefoot. I want to be in control of my own career. I want to put on a show. In the opera world, you wait for people to call you until you get to a certain level. In the folk world, it's a lot easier to have control from the beginning.
I never breathe through the nose, not when I'm singing. In the opera, you don't have so much time. That's fine at the beginning of an opera or after somebody else has been doing an aria, and you want to get a good fresh start.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
Much later in life, though, Gracie made a major contribution to the opera world. She stayed out of it.
Everybody's talking about people breaking into houses but there are more people in the world who want to break out of houses.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
What isn't for everybody shouldn't be for anybody: the world's opera houses are the reasons we have cardboard cities.
And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
To reject even one major tenet of the religion or to violate one major rule of behavior is enough to get one kicked out - or worse.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
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