A Quote by Renee O'Connor
I’ve been looking at oil paintings from oriental artists lately, and the one artist who’s inspired me right now is a man named Hokusai and I’ve had his book by my bed looking at how he interprets landscapes – mountains and water and flowers and birds.
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The really intelligent person keeps his childhood alive to his last breath.He never loses it-the wonder the child feels looking at the birds,looking at the flowers,looking at the sky...Intelligence also has to be,in the same way,childlike.
It's probably hard for anyone looking at my landscapes today to realize that I was once regarded as a rebel, a dangerous influence; that I've been told I was on the verge of insanity, that my painting was nothing but meaningless daubs. Lawren Harris, the man most responsible for drawing the Group of Seven together, was accused of something perilously close to treason - his paintings, said his severest critics, were discouraging immigration.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
If people would just look at the paintings, I don't think they would have any trouble enjoying them. It's like looking at a bed of flowers, you don't tear your hair out over what it means.
The Little Mute Boy The little boy was looking for his voice. (The king of the crickets had it.) In a drop of water the little boy was looking for his voice. I do not want it for speaking with; I will make a ring of it so that he may wear my silence on his little finger In a drop of water the little boy was looking for his voice. (The captive voice, far away, put on a cricket's clothes.) Translated by William S. Merwin
Look at the paintings of Picasso. He is a great painter, but just a subjective artist. Looking at his paintings, you will start feeling sick, dizzy, something going berserk in your mind. You cannot go on looking at Picasso's painting long enough. You would like to get away, because the painting has not come from a silent being. It has come from a chaos. It is a by product of a nightmare. But ninety-nine percent art belongs to that category.
Todd's mother had several children by different fathers, and Todd [Willingham] had been abandoned in California. ... He's a good-looking man. He was a witty man, you know? Funny, caring. He wasn't arrogant, but he was kind of set in his ways. If he thought something, it was one way. You could show him an alternative, but he was still going to stick by his particular view. But I could see how to women he could be a very charming, good-looking guy, especially when he was younger.
Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.
This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting. A man must find his occasions in himself, it is true. The natural day is very calm, and will hardly reprove his indolence.
I was raised a Catholic, but with very liberal parents, so I had to find my spirituality. I've been looking for it since I was a child. I would find it in pieces of art, music, flowers, trees. Now I've come full circle finding God in clouds, flowers, and trees.
Wolfe was drinking beer and looking at pictures of snowflakes in a book someone had sent him from Czechoslovakia... ...Wolfe seemed absorbed in the pictures. Looking at him, I said to myself, "He's in a battle with the elements. He's fighting his way through a raging blizzard, just sitting there comfortably looking at pictures of snowflakes. That's the advantage of being an artist, of having imagination." I said aloud, "You mustn't go to sleep, sir, it's fatal. You freeze to death." The League of Frightened Men
You're looking at the reflection of perfection. You're looking at the man who gets all your attention. You're looking at the man with the biggest arm. At the man, with the greatest charm, the man in Chicago who will do harm to the guy three doors down. Whatcha gonna do, when you know who? How ya gonna deal, with the man of steel? How ya gonna react to Sonnen's attack?
The lights were off so that his heads could avoid looking at each other because neither of them was currently a particular engaging sight, nor had they been since he had made the error of looking into his soul. It had indeed been an error. It had been late one night-- of course. It had been a difficult day-- of course. There had been soulful music playing on the ship's sound system-- of course. And he had, of course, been slightly drunk. In other words, all the usual conditions that bring on a bout of soul searching had applied, but it had, nevertheless, clearly been an error.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.
I was looking forward to knowing Shah Rukh and get to know how he works, what is his process like and how he is as a person. There are millions like me who dream about working with him some day. His film 'Baazigar' really inspired me.
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