A Quote by Resi Stiegler

I think some people had, probably, a time in their life where they were good at two things and they had to make a big decision. For me, it was never like that - I just skied every day of my life and kind of made the right steps in the right direction, and so there wasn't really a choice of like, "What should I do?" I remember when I was like 10 years old, I was just wanting to be in the Olympics and wanting to compete in the World Cup, and there was never another choice in my head.
I never made conscious choices. There were times in my life that I chose the first job that came along because I was broke. I think that there were maybe a handful of times that I had a choice. In recent years, Ive had more of a choice, and its been very nice to have that choice, but most of the time, you just hope that theres another job after this one.
I had basically been shelved by the record label for two years and I was writing songs every day. I made two albums that just never came out, and that was just a really big knock to my confidence, because everything I sent seemed like it just wasn't good enough.
I think working for the audience, for me, is the most fun. It's really a chance for something to work towards. It's where everything kind of comes together, and you have to make it work. You have all these people who are sitting there, wanting to have a good time and wanting to laugh. You really have no choice but to pull it out.
For me soccer provides so many emotions, a different feeling every day. I've had the good fortune to take part in major competitions like the Olympics, and winning the World Cup was also unforgettable. We lost in the Olympics and won in the World Cup, and I'll never forget either feeling.
My parents are both artists, they had a theater company in the Bay Area for a long time called Virago. I never really had a choice - when I was two years old, I was the baby in a play that they did, and it kind of just happened naturally.
No matter what choice you make, it doesn't define you. Not forever. People can make bad choices and change their minds and hearts and do good things later; just as people can make good choices and then turn around and walk a bad path. No choice we make lasts our whole life. If there's ever a choice you've made that you no longer agree with, you can make another choice.
The biggest privilege I've had in my life is being able to make a choice. If you make a choice, it can't be a wrong choice because it seemed like a good idea at the time.
We had to make ends meet. My parents were divorced, so my father wasn't really in my life. We grew up like most kids, just wanting things.
Pamela realizes for the first time in her life that she hadn't made the wrong choice at all. Nor had she made the right choice. She had simply made a choice. And somewhere along the way, she had lost the courage to live by it
It seems like I always wrote, I just didn't think of it as a career choice. I just liked to tell stories ... to myself, to pen pals (I had a lot of them, all over the world). Of course this was in the days before computers were everywhere, and anyone could access the Web. You had to make an effort keeping up a correspondence, and the arrival of the mail once a day was a big deal. I think if modern technology had been around when I was a kid, I would never have left my bedroom except to take the dogs out for their run three times a day.
I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.
I think the idea that in a riddle there are two answers or two doors and that you have to pick the right one is almost sort of delightful to kids who are making so many choices every day and who often don't know for a while if they've made the right one. It's not as if you make a choice and then *ding* you have some sense of "oh, this is perfect and I'm happy" - it's never that simple.
There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.
I've never really understood the desire to be immortal myself. The idea of both wanting to live forever in some form and wanting to stay young forever just sounds exhausting. It's one of those desires that people think they want but when you actually stop to think about what it actually means, it's really awful. One of the reasons that life is bearable is because it's going to end soon. One of the main concerns of fiction is how do we make a life of 85 years or so meaningful.
I never lied to you. (Kiara) Of course you did –you said you could see the real us– that we weren’t as bad as we claimed. But you didn’t and, just like everyone else, so long as we risk our lives to protect and save you, we’re okay. But the moment we have to make a choice not ours, the moment you see what our pasts have made us, you’re horrified by the truth and hate us for it like we had some kind of choice in what we are. (Syn)
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
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