A Quote by Rex Chapman

I've been recognized for much of my life but I learned that when I was fatter I am less recognizable so I got fat but then it almost killed me. — © Rex Chapman
I've been recognized for much of my life but I learned that when I was fatter I am less recognizable so I got fat but then it almost killed me.
Because I was always a fat child, I got fatter and fatter, and I ended up 18 stone and with a 40-inch waist.
I was fat because I lived in the Midwest in the 1970s, and everyone was a little fat then and only getting fatter.
I believe Andy was meant to die because he was too good I'm almost happy it ended the way it did because I've learned so many lessons from him. It would have been tragic if we got into fights and then divorced [If he had lived], I would be a fat housewife with three kids in Sands Point, Long Island.
When I started tentatively dipping a toe into fat-positive internet spaces, I learned that reclaiming the term was the quickest and most powerful way to make it stop hurting. If you can say, "Yes, I am fat, and it's okay to be fat," then all of a sudden it doesn't hurt when someone says it to you. And it's also just a descriptor. It's like tall.
I have been a big guy all my life, I am not going to lose a bunch of weight, because then you're like that weird fat person that got skinny but still has a big head. I don't want to do that. So I'm just trying.
I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.
I've been called fat my whole life. I am fat, so it's kind of silly to get mad about it.
I have been to the States many times. What I enjoy most is the feeling of being undercover, that no one recognizes me. When I go to the airport almost anywhere in Europe or Africa, I am recognized.
So I won an Oscar. It's amazing. I've got that for the rest of my life for a performance I am proud of. It nearly killed me. I am really proud of the film. That's it, moving on.
I'm happy to be a woman but much of it was learned over the course of life. Really thudded into me. You learn it. It's a kind of mastery and artistry. The deeper person underneath the scent of Diptyque Philosykos or whatever is much less gendered. Every person has a range. In fiction, you get to be it all. I'm as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
I break all the rules and wear everything. Ruffles, ostrich feathers, fox coats. You look fat in fox anyway, so if you start fat, you only look a little fatter.
The bureaucratic manager, the consuming aesthete, the therapist, the protester and their numerous kindred occupy almost all the available culturally recognizable roles, the notions of the expertise of the few and of the moral agency of everyone are the presuppositions of the dramas which those characters enact. To cry out that the emperor had no clothes on was at least to pick on one man only to the amusement of everyone else; to declare that almost everyone is dressed in rags is much less likely to be popular.
I have a fierce eating disorder that has survived even bariatric surgery. I got even fatter after that! Hey, maybe fat people are just trying to get closer to others, did anybody ever that of that?!
We have to bring back law and order. In a place like Chicago, where thousands of people have been killed, thousands over the last number of years, in fact, almost 4,000 have been killed since Barack Obama became president, over - almost 4,000 people in Chicago have been killed. We have to bring back law and order.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
As I spoke with scientists about the way fat behaves, I couldn't resist drawing an analogy to the realm of narcotics. If sugar is the methamphetamine of processed food ingredients, with its high-speed, blunt assault on our brains, then fat is the opiate, a smooth operator whose effects are less obvious but no less powerful.
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