A Quote by Rex Norman
It's true. We're really working hard to make Incline Lake a reality, but that doesn't mean that we're not focused on other projects to improve the basin - sometimes big projects.
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In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's a different ballgame.
I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.
I am not just sitting and reading everything because honestly sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.
When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life.
My faith sometimes burdens me with the responsibility to think very deeply and long and hard about the choices I make creatively. There are projects I turn down because the material is too much a violation of what I believe. But that's true of anybody.
It's getting harder to make decisions to work for the sake of working. Like everybody, I'm trying to find things that are extremely challenging or mean something to me deeply. Sometimes something like The Tourist comes up and it's just fun, but it's not as easy to find projects that I have to do. I have to be home and I have to do other things, but I don't have to work as much.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
Except for the projects in Israel, my being Israeli has contributed negatively to my global activity. It is hard for me, for example, to get projects in the Persian Gulf emirates.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
I want to make films that make a difference. I want to be out and hope that that will make things better for gay people and for myself. I hope one day I can start to make the kind of projects or be involved with kind of projects that can really make a difference
I can be out auditioning but a lot of times it's word of mouth more than anything - having worked on other projects with people who might see you and recommend for other projects and vice versa.
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