A Quote by Rex Orange County

I'm usually just writing lyrics alone in my room, but I'm happy to be producing and writing chords anywhere. — © Rex Orange County
I'm usually just writing lyrics alone in my room, but I'm happy to be producing and writing chords anywhere.
Writing music and lyrics, you tend to become a control freak - sitting alone in your room with a bare light bulb over your head, writing communist manifestos.
Writing on my own versus co-writing kind of is the exact same thing because we don't sit in the same room when we write. We're always writing alone anyway.
I was very happy sitting alone at a dining room table, writing a script.
There's two facets to writing a song. There's you sitting in your room writing the sentiments of the song; the lyrics, the melody and the changes, and then there's the part where you go into the studio and you put clothing on it.
Writing on the subway or anywhere is writing. Maybe it's all just writing.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
I was very in my own head as a kid. But I liked it there! I was just writing poetry, writing stories, writing plays. I think I was quite strange. But I was happy.
For so long, the model for writing has been, you sit in a room alone for a number of days or weeks or months or years and figure it out. But now, you don't have to do that; you don't have to be alone in the room anymore.
I've tended to write lyrics alone. The emotion of the melody comes first. But what stimulates us are usually these dreamy minor chords. We all feel we're an emotional band as far as writing, but the specific emotions tend to be of a melancholic, or of an almost sinister-yet-beautiful nature. I never think of our songs as being about boy-girl relationships or ultra-female. The music comes from a universal place.
I co-wrote and produced 'Sticky Fingers' with Catlin Adams, who directed it. I learned a lot writing and producing with Cat. I spent as much time as I could in the cutting room with her. All the producing experience that I had helped.
My new house has a deck that wraps around my writing room; my writing room has many windows, and outside the windows I've hung bird feeders... for enticing different species. So I imagine I will be writing about that.
The writing workshops and programs that are everywhere have encouraged writing. And if that produces more writing, it's also producing more readers of an elevated level. So all in all, a good thing.
Sometimes I might go too far with the pretentious references, which I might not do again. But when you're writing, you're sitting alone in a room so you're writing to amuse yourself as much as anybody else.
If I was writing songs just for me I'd only play them in my living room, alone.
I carry around a little journal with me, a little notebook and a pen and just write all the time. Not necessarily actually sitting down and writing lyrics, just free-form writing, whatever's going on in my mind.
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