A Quote by Rex Orange County

I'm not very good at a lot of things that aren't music. This is the only thing that I love doing, so, like, why wouldn't I make this my whole life? — © Rex Orange County
I'm not very good at a lot of things that aren't music. This is the only thing that I love doing, so, like, why wouldn't I make this my whole life?
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
I would love to win an Oscar one day. That would be a very wonderful thing. But in the meantime, I really hope that I make films I'm proud of. A lot of people aren't going to like the movies I make, I'm sure. But as long as I'm proud of the movie and I'm not selling out, and I'm doing things that make me happy and make me grow as an actress, I'll be good.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
For me, fragrances are very - one of these beautiful art forms that bring about a whole host of things. It's what you want to smell like, it's memories that make you smile or are resonant of times in your life, it can remind you of music. If you're a lover of scent, it's a very kind of particular and evocative thing.
Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.
Obviously, with me being a DJ, I have a love for music. One day I was like, 'OK. I'm tired of playing everybody else's music. I rather play my music.' So, that's kind of how the whole me doing music thing started.
The way I make music, I know what I'm doing, because I been doing this for so long. This is the only thing I'm good at.
There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.
You've got to be happy, you have to do this thing [music] for the love. It's not like you go into music because it's going to make a lot of money. It's something you do... that's the thing. You got to accept all that hard work with it, too. And enjoy it, and love it.
I've got a lot of opportunities, a lot of love in my life, a lot of things going for me. Still, it's not complete. I know this is not the whole thing. There's much more.
I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?
That's the whole thing: You only roast the ones you love. That's why I never make fun of the French.
Make sure you're doing something that you love, that you're willing to do for the rest of your life. If you're doing it for money, that's the only thing you won't make.
And that's how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there. . . . And at the end of your life, your whole existence has the same haphazard quality, too. Your whole life has the same shape as a single day.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
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