A Quote by Rex Reed
Packs a Huge Emotional Punch! Graceful Writing, Great Acting, Exquisite Direction, Suspense, Profound Subject Matter and It Rocks!
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For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
The fact is that writing, like any creative undertaking, carries with it both pain and great joy. The pain is often inherent in the most fertile subject matter; the joy lies in transforming that subject matter and thus moving through it in a way that helps us grow while we create something of value to others.
People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.
Acting and making music are quite complementary. Acting relies on someone else's writing and direction; writing music or lyrics doesn't. But they are both creative and personal in completely different ways.
What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.
The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
I'm very proud of 'Calvary.' It's been doing well; it has legs. It's no easy ride. It packs a punch, this one.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
Profound subject matter can be encompassed in small space - for proof, look at any sonnet by Shakespeare!
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
Acting might bring on emotional exhaustion, but writing tired your brains out. Writing led to depression and insomnia and walking around all day with a haggard look.
Great direction, great acting partner, great character backstory - these are all rare luxuries to have in the room.
I always think that if you deal with extremely emotional, even melodramatic, subject matter, as I constantly do, the best way to handle those situations is at a sufficient remove. It's like a doctor and a nurse and a casualty situation. You can't help the patient and you can't help yourself by emoting. And I don't think cinema is intended for therapy, so I object also to that huge, massive manipulation which is perpetrated on the public.
In writing, the point is not to manifest or exalt the act of writing, nor is it to pin a subject within language; it is, rather, a question of creating a space into which the writing subject constantly disappears.
I've mis-signed many a book Rollins or Clemens. My readers quickly become aware. Booksellers will often promote me under both names, and I do plug both at signings. Generally, the fantasy reader has no problem going into the suspense genre. It's harder for the typical suspense reader to go the other direction.
Stylized acting and direction is to realistic acting and direction as poetry is to prose.
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