A Quote by Rex Stout

What good is an obscenity trial except to popularize literature? — © Rex Stout
What good is an obscenity trial except to popularize literature?
No fiction is worth reading except for entertainment. If it entertains and is clean, it is good literature, or its kind. If it forms the habit of reading, in people who might not read otherwise, it is the best literature.
Whether my acting was obscene, or whether it was distasteful, well, Judge Rehnquist, who just recently passed away couldn't define pornography. His comment on pornography was, "I may not be able to define it but I know it when I see it." That's not law. That's definitely not law. Really, this trial should have been an organized crime trial. About murder and tax evasion and brutalizing people. Not about obscenity.
Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it's any good) conjure up the most pornographic imagination. But photographs dare to be real. No matter how contrived or constructed they are, there's that damn body staring you in the face.
It showed a kind of obscenity you see only in nature, an obscenity so extreme that it dissolves imperceptibly into beauty.
The second trial was a fair trial. I do not call it a second trial. I call it a fair trial, as opposed to the first trial, which was an unfair trial, a Roman holiday.
I never did anything worth doing by accident, nor did any of my inventions come indirectly through accident, except the phonograph. No, when I have, fully decided that a result is worth getting, I go about it, and make trial after trial, until it comes.
Let us not kid ourselves; let us remember that literature is of no use whatever, except in the very special case of somebody's wishing to become, of all things, a Professor of Literature.
What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
I'm delighted when people respond with passion and readily intensity to my work. Literature is not as the economist would put it a positional good; in other words, there is infinite space for good literature.
The concept of 'obscenity' is tested when one dares to look at something that he has an unbearable desire to see but has forbidden himself to look at. When one feels that everything that one had wanted to see has been revealed, 'obscenity' disappears, the taboo disappears as well, and there is a certain liberation.
There was an interesting development in the CBS-Westmoreland trial: both sides agreed that after the trial, Andy Rooney would be allowed to talk to the jury for three minutes about little things that annoyed him during the trial.
When people cannot write good literature it is perhaps natural that they should lay down rules how good literature should be written.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
The Bible has noble poetry in it... and some good morals and a wealth of obscenity, and upwards of a thousand lies.
The film industry is a great industry, with infinite possibilities for good and bad. Its primary purpose is to entertain people. On the side, it can do many other things. It can popularize certain ideals, it can make education palatable. But in the long run, the judge who decides whether what it does is good or bad is the man or woman who attends the movies.
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