A Quote by Rex Stout

As a professional writer of detective stories, I string along with the ballplayers. I love a ball game. — © Rex Stout
As a professional writer of detective stories, I string along with the ballplayers. I love a ball game.
I think that the game is the game. I think that expansion is good for the game because it gives more jobs to the people and more ballplayers can play, but I think the game is still the game. The ballplayers, they come into the game with one thing in mind - it's their job.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
I just loved to play. I liked to study the other ballplayers. I could talk about it for ages, because I played professional ball for 20 years, and I was still learning when I quit.
There's only one ball game for any writer, and it's to keep you turning the pages. That's the whole ball game. That's what I have to do.
I would like it to be said that I was a good writer of detective and thriller stories.
I never thought along the lines of red ball or white ball cricket. I just go and enjoy my game.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
In detective stories . . . I alternately identify myself with the murderer and the huntsman-detective, but . . . there are those to which this vicarious outlet is too mild.
Occasionally, I have written about stories related to crime, but I have never attempted a traditional detective story. So I want to write a true detective story.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
Canadians are fond of darker stories, serious stories, so if you're a Mystery writer or a Romance writer or Fantasy Writer, you will most likely have an American publisher and agent.
I've always approached the game, going back to when I got drafted in 2012 to Denver, like I was going to be the starter. That's how you have to prepare, whether you are first string, second string or third string, because you never know when something is going to happen to the guy in front of you.
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