A Quote by Rey Mysterio
That's really what drew me into wrestling. To see my own uncle put on the mask every Friday to go into the ring, and me putting on his masks to play wrestle with him. It was a whole different world when it came down to sports.
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Growing up in wrestling, I would see my uncle put on his mask before he walked into auditoriums. The kids would run up to him and ask for autographs and pictures, and seeing him lacing up his boots in the locker room and putting on his mask before heading to the ring, that was all so real to me. That was the modern day superhero to me.
It was just so cool to put on my uncle's masks and wrestle with him. I knew that's what I wanted to do. I wanted to be a part of this world.
If you're a fan of Indie wrestling at all, you can go back to, I think, 2007-2008, and you can see me wrestle CHIKARA. And you can see me wrestle in a tank top, and you can see me wrestle in a tank top that doesn't look like the one I have in WWE. But it's the same one.
As badly as everybody feels like I'm a sellout for one thing or another, I guess, ultimately, when it came to wrestling, I just wanted to wrestle where I want to wrestle. And something had to be bigger and more important than the money, and for me, it was the time inside that ring.
Mascaras' physique, in terms of symmetry and size, and his style in the ring really made him stand out. He really did live up to his name 'The Man of 1,000 Masks.' I think he had 1,000 masks and more. You would really never see him wear the same outfit twice... He was always very, very colorful.
I worked with him on 'Agneepath,' where we acted together. I played his uncle. Everyone, including Amitabh himself, wondered how I would play his uncle since I was younger than him. I knew what I had to do. I shaved my head, gave myself a receding hairline and some bald patches. He was shocked to see me when he saw me for the first time.
My parents didn't want me to do this. My dad, when I told him I wanted to wrestle, he told me no, if you're going to play any sports, play baseball.
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
I always wanted to wrestle, but when you're a kid, how do you do pro wrestling? For me, it seemed like the easiest way for me was to get into amateur wrestling and go that route because it was a place where I was allowed to go.
Some men can be very rude. On the other hand, some clients are absolute angels. One john always brought me a gift every time he came to see me. He brought me a pearl necklace, a ring, a bra or something. But eventually, as much as I really loved all the gifts, he fell in love with me, and he tried to weasel his way into my life. It was too much and I sort of had to 'break up with him."
A boy on the team, who shall remain nameless, constantly picked on me during practice. I bided my time, and when I had the chance to wrestle him, I took every advantage I could. I bent fingers, dug my nails into his skin and rammed my elbow into various, tender, parts of him. I basically beat him down in front of the whole team.
I was going to design sports cars, but my father came to my college to visit me. At the time he was making a picture in Sweden and he took me there with him. I got to see Ingmar Bergman's company and I thought, 'Gee, filmmaking is a lot more fun than sports cars,' so I decided to follow him and go into acting.
I get that it's packaging and it's neat to put a name on what the girls are. But it seems to me that they were making us Sports Illustrated swimsuit models instead of women who wrestle on a pro wrestling program.
When I go to China, people call me 'Uncle Mo' because they refer me as Yao Ming's uncle. I'm pleased to be his uncle as long as he listens to me!
Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.
My uncle, who's an art teacher, took me under his wing and gave me a really strong foundation in art. I spent summers with him, and he taught me how to draw, how to see, how to mix colors, how to use different mediums and perspective, and so forth.
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