A Quote by Reynolds Price
The death of every art form seems imminent at least once in every century; but while the very funeral arrangements go forward, some child is born who is Michelangelo, Picasso, Yeats.
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In the theatre, every form once born is mortal; every form must be reconceived, and its new conception will bear the marks of all the influences that surround it.
I've always assumed that every time a child is born, the Divine reenters the world. Okay? That's the meaning of the Christmas story. And every time that child's purity is corrupted by society, that's the meaning of the Crucifixion story. Your man Jesus stands for that child, that pure spirit, and as its surrogate, he's being born and put to death again and again, over and over, every time we inhale and exhale, not just at the vernal equinox and on the twenty-fifth of December.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
Every once in a while you have to go out and treat your family and friends and stuff like that. Once every two months, I'd say, is when you do that. When you do it every weekend it gets a little excessive and the people around you start feeling like you have to do that every time you go out.
When death strikes down the innocent and young, for every fragile form from which he lets the panting spirit free, a hundred virtues rise, in shapes of mercy, charity, and love, to walk the world and bless it. Of every tear that sorrowing mortals shed on such green graves, some good is born, some gentler nature comes.
The wonderful thing about theater as an art form is it's a purely empirical art form. It's all about what works. And every show, every production, is created anew right from the moment you go into the rehearsal hall.
Those who live in the country get idiotic in time, without noticing it, for a while they think it's original and good for their health, but life in the country is not original at all, for anyone who wasn't born in and for the country it shows a lack of taste and is only harmful to their health. The people who go walking in the country walk right into their own funeral in the country and at the very least they lead a grotesque existence which leads them first into idiocy, then into an absurd death.
We infrequently contemplate the harms that await any new-born child—pain, disappointment, anxiety, grief, and death. For any given child we cannot predict what form these harms will take or how severe they will be, but we can be sure that at least some of them will occur. None of this befalls the nonexistent. Only existers suffer harm.
I carry Yeats with me wherever I go. He's my constant companion. I always can find some comfort in Yeats no matter what the situation is. Months and months and months go by and I know I need to switch to Shelley or somebody else, but right now Yeats is enough for me.
Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, every once in a very long while, every day in a million days, when the wind stands fair and the Doctor comes to call, everybody lives.
Have I mentioned that I expect death around every turn, that every blue sky has a safe sailing out of it, that every bus runs me over, that every low, mean syllable uttered in my direction seems to intimate the violence of murder, that every family seems like an opportunity for ruin and every marriage a ceremony into which calamity will fall and hearts will be broken and lives destroyed and people branded by the mortifications of love?
Every once in a while I go off to do a movie or a television series and I take my art with me. I can stay in character when I paint.
When you're a child - and my understanding of it is very basic - but when you're a very young child, the stimuli around you prompt your brain to form synapses. Once they're there, they're there, but if they don't form by a certain age, they're not going to.
I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
No dogma taught by the present civilization seems to form so insuperable an obstacle in a way of a right understanding of the relations which culture sustains as to wilderness, as that which declares that the world was made especially for the uses of men. Every animal, plant, and crystal controverts it in the plainest terms. Yet it is taught from century to century as something ever new and precious, and in the resulting darkness the enormous conceit is allowed to go unchallenged.
Sin is, somehow, at the root of all human misery. Sin is what keeps us from God and from life. It is in the face of every battered woman, the cry of every neglected child, the despair of every addict, the death of every victim of every war.
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