A Quote by Reza Abdoh

In ancient cultures, they didn*t practice theory in their dances; they wanted to arrive at a state of trance, and I think that's an appropriate approach for the arts: to create a work that is entrancing.
There is a distinction, but no opposition, between theory and practice. Each to a certain extent supposes the other. Theory is dependent on practice; practice must have preceded theory.
Theory without practice is of little value, whereas practice is the proof of theory.Theory is the knowledge, practice the ability.
In theory, practice should work like theory. In practice, it doesn't.
I believe without exception that theory follows practice. Whenever there is a conflict between theory and practice, theory is wrong. As far as I'm concerned, we make theories for what people have done.
Always think about practice... theory is not the endpoint of work, it is the work along the way to work.
I love to work in all sorts of different situations. I think you learn a lot, which is why I try not to approach something the same way, because it might not be appropriate, and then you can get lazy just out of boredom. So I love any approach.
I think brown marks a reunion of peoples, an end to ancient wanderings. Rival cultures and creeds conspire with Spring to create children of a beauty, perhaps of a harmony, previously unknown. Or long forgotten.
Pytheos made a mistake by not observing that the arts are each composed of two things, the actual work and the theory of it. One of these, the doing of the work, is proper to men trained in the individual subject, while the other the theory is common to all scholars.
The [engineer] should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.
What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space.
Many people say I believe aliens built the pyramids. I don't. In fact I'm not a supporter of the 'ancient alien' hypothesis at all. I think a lost human civilization is a much better explanation of the mysteries and paradoxes of ancient cultures.
On every hand we observe a truly wise practice, in education, in morals, and in the arts of life, the embodied wisdom of many an ancient philosopher.
I think it is appropriate when you look at the test that you have to meet to be commander-in-chief for Americans to be thoughtful about, you know, who has the experience and the approach that is best likely to work.
Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
Critical reflection on practice is a requirement of the relationship between theory and practice. Otherwise theory becomes simply "blah, blah, blah, " and practice, pure activism.
In Europe we have the "loss of self" motif clearly illustrated in the whirl dances of the Russians sects of the Molokani in Armenia....All the countries that bordered the Meditteranean in ancient times, and the less remote sections of Asia as well, appear to have had whirl dances.
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