A Quote by Reza Aslan
Many poets in Iran have learned to speak almost a secret language, where political issues are talked about in allegorical ways.
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The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
The poets are wrong of course […] But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.
I learned a new language for it all in the 90s. Which in some ways isn't bad... I mean getting people to think about what language actually means before they use it is a good thing. But it's become very clear the past nine years that some Americans truly resent thinking before they speak.
I think that language matters. I think that people who are in public life have an opportunity to help the public understand issues and understand the urgency of issues. And to that extent, I think it is important how issues are talked about.
Before I ran for District Attorney, two Republicans invited my husband and me to lunch. And I knew a party-switch was exactly what they wanted. So, I told Chuck, we'll be polite, enjoy a free lunch and then say goodbye. But we talked about issues - they never used the words Republican, or Democrat, conservative or liberal. We talked about many issues, like welfare - is it a way of life, or a hand-up? Talked about the size of government - how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, "I'll be damned, we're Republicans."
What we've also got to think about is the limitations of military power. Maybe it's time to focus on the economic issues, and most of all the political issues, because the political failure in Iraq right now is almost worse than the military failure. And the two are intertwined.
And poets, in my view, and I think the view of most people, do speak God's language - it's better, it's finer, it's language on a higher plane than ordinary people speak in their daily lives.
We talked about many issues, like welfare, is it the way of life or hand up? Talked about size of government, how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, "I'll be damned. We're Republicans."
We talked about many issues, like welfare, is it the way of life or hand up? Talked about size of government, how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, 'I'll be damned. we're Republicans.'
I was born in Brooklyn and raised in Pittsburgh. I've never been to Iran, I don't speak the language, and, probably most important of all, my Iranian father left home when I was nine months old. That's the extent of my connection to Iran.
When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.
It has unfortunately now become a habit for so many generations, that it has almost passed into an instinct throughout the Jewish body, to rely upon the weapon of secrecy. Secret societies, a language kept as far as possible secret, the use of false names in order to hide secret movements, secret relations between various parts of the Jewish body: all these and other forms of secrecy have become the national method.
I am very much into politics, but what interests me is sacred principles applied to that area. You know, many people are interested in alternative health who are never going to become doctors, or practitioners. That is how I am about politics. I am interested in the intersection of the Spiritual and the political - how spiritual principles apply to the social and political issues of our day. For me, the spiritual realm, is a more powerful place to speak from on those issues.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
I feel like it's not so much a tradition as a system that has been codified over the centuries starting in the Renaissance that applies to any painted surface. So if you're engaging in paintings, this is the language that one has to learn and is obliged to speak. I was very fortunate that I learned this language when I was a kid before I went to California, where I learned the language of attitude. Somehow the two things began to coexist.
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