A Quote by Rhea Chakraborty

The industry confines us in boxes, but we have to prove that we are women of substance. — © Rhea Chakraborty
The industry confines us in boxes, but we have to prove that we are women of substance.
If you were to come in to my house, I have archived every fan letter I've ever been given, boxes and boxes and boxes and boxes of them.
I think women are taught in the music industry that once you're 35, you've expired, and I'm here to prove that factually incorrect.
Women are the victims of this patriarchal culture, but they are also its carriers. Let us keep in mind that every oppressive man was raised in the confines of his mother's home.
Women's strength, women's industry, women's wisdom are humankind's greatest untapped resource. The challenge then for U.N. Women is to show our diverse constituencies how this resource can be effectively tapped in ways that benefit us all.
In this industry, all the heads of labels are men, but every artist has to prove themselves, regardless of their sex. I have always been very vocal about the women sticking together.
Each one of us has his own place in the industry. I've been able to prove that you don't necessarily have to be a Khan to be successful!
And the people in the houses All went to the University And they got put in boxes Little boxes all the same, Little boxes all the same, Little boxes all the same, Little boxes all the same And they all come out all the same.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
It's hard to prove yourself when the substance isn't there in certain roles.
Now we really like to put people in boxes. As men, we do it because we don't understand characters that aren't ourselves and we aren't willing to put ourselves in the skin of those characters and women, I think, terrify us. We tend not to write women as human beings. It's cartoons we're making now. And that's a shame.
Reorganization to me is shuffling boxes, moving boxes around. Transformation means that you're really fundamentally changing the way the organization thinks, the way it responds, the way it leads. It's a lot more than just playing with boxes.
What I want to try to prove is that artistic games, when done properly, can still be a commercial success. By doing that, I will be able to essentially shift the industry and create more opportunity for people to create artistic games. In a way, making money is important for us right now. Not because we need it, but because the industry needs it.
The only requirement of a symbol is that it have substance underneath: The first thing to do is to try to establish the substance. The style comes after the substance. Only then can the style help the substance, and vice versa.
He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.
Basically, what we've done is, every year we take half the money and allow people who've helped us in the industry to give it away. One year, the ladies who put the pretzel bags in the boxes got to give it away.
At some point, most of us reach a place where we're afraid to fail, where we instinctively avoid failure and stick only to what is placed in front of us or only what we're already good at. This confines us and stifles us.
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