A Quote by Rhea Chakraborty

Through the auditions and the process of 'Sonali Cable,' I realised that I want to be an actor. — © Rhea Chakraborty
Through the auditions and the process of 'Sonali Cable,' I realised that I want to be an actor.
I faced many ups and downs, like any other actor: not getting through auditions or even worse - getting shortlisted and not being selected. Most actors go through the process.
According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.
Auditions are great, and you definitely want to continue to make progress as an actor, you want to continue to see some advancement in your career. But when you get out there, you don't realize how many auditions you have to go on before you actually get work.
The entire experience of 'Sonali Cable' has been beautiful. It has been a long journey for me, both physically and emotionally and a great learning experience.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
Sonali Cable' is not a low budget film, it's a normal budget film.
I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
It's not like every actor needs to train, but an actor will either develop their process through training or through working.
My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
You want the character to keep being able to grow through the process of writing, through the process of filming, and editing, you want to discover things about that character.
Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
As an actor, when you go for auditions, there are certain roles that come along and you think, 'I really want that one,' and Prince Arthur was definitely one of those.
I went to school to be an actor in Canada and realized I hated auditions once I left, which is a huge problem if you want to get a part.
I just don't need cable news. There's nothing that happens on cable news that I don't already know. I'm talking about just the acquisition of information, learning things. What is on cable TV is not that. Cable news isn't news. What is happening on cable news right now is a political assassination of not just Donald Trump, but of ideas and cultural mores that I believe in.
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