A Quote by Rhea Chakraborty

I do actively look out for any kind of work, whether it's long form, short or web. I just look out for interesting characters. It doesn't matter where it is. — © Rhea Chakraborty
I do actively look out for any kind of work, whether it's long form, short or web. I just look out for interesting characters. It doesn't matter where it is.
Look at a guy like Ian McKellen, who is eighty or whatever, and he's just loving his work, and you can see that in the work. That defines what type of actor you are. And what kind of people want to work with you. And whether you can do this job for a long, long time.
When I go out on court, I don't care what I look like. I don't care if I'm out of my bed as long as I win the match, and that's what I'm there for. It doesn't matter what I'm wearing, it doesn't matter what I look, it doesn't matter what my hair feels like. All I feel is the moment I have to play well, give my 100% and win the match.
"Magna Carta is the Law: Let the King look out." So it has always been with tyrants among our own people: when the King was tyrant, let him look out. And it has always been the same, and will be the same, whether the tyrant be the Barons, whether the tyrant be the Church, whether he be demagogue or dictator - let them look out.
That's one of the challenges of acting. You can't expect that you're going to be successful, but you've got to put your heart and everything you have into it. Look at a guy like Ian McKellen, who is eighty or whatever, and he's just loving his work and you can see that in the work. That defines what type of actor you are. And what kind of people want to work with you. And whether you can do this job for a long, long time.
I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.
Women do it all the time to look younger and it would make perfect sense if one of them ever came out looking younger - but they don't. They just look the same; they all get plastic surgery face. No matter who they look like going in, they all come out looking like the girl from the band on 'The Muppet Show.
For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
All the Disney lead male characters always have this kind of John Davidson kind of look to them. They all look like the same guy, and all the females look like the same, and I think the guys are just way too big.
I don’t really care what I look like that much, and I think women out there should just be happy with the way they look. They shouldn’t really try to conform to any kind of stereotype. Just be happy and hopefully healthy.
If you are dressing up, then dress to the hilt, else let it go easy. But no matter what, pay attention to the nails. Whether you keep it short, long, varnished or plain, it has to look good.
When people come to see my stand-up, they get a chance to see my characters interact with each other. I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
There are a lot of regulations that are really just crushing jobs. Look at the coal miners in the Rust Belt that are getting out of work. Look at the - look at the loggers and the timber workers and the paper mills in the West Coast. Look at the ranchers or farmers in the Midwest with regulations.
If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.
Look in, look the storm in the eye. Look out, to the sea and the sky. Look around, at the sight and sound. Look in, look out, look around.
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