A Quote by Rhea Chakraborty

I don't think of any movie as big or small, after all what matters is content of the film. — © Rhea Chakraborty
I don't think of any movie as big or small, after all what matters is content of the film.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
After my second film, 'Simhadri,' which was a very big hit, I made 'Sye,' a small college movie with a rugby union backdrop.
I don't think content matters at all. Content won't matter unless it matters to the stars. Producers are helpless people... They don't dictate or guide content. It is dictated purely by stars.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
In matters of trust and justice there can be no distinction between big problems and small, for the general principles which determine the conduct of men are indivisible. Whoever is careless with the truth in small matters cannot be trusted in important affairs.
I'm a big movie fan. After a show, if I'm on the bus or a plane, it's often hard to get to sleep, so I'll watch a film. An action film can even relax me.
After the blockbuster 'Magadheera,' I made a film with comedian Sunil as the hero. If I am interested in making a film - big or small - I will go ahead and make it.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
I will do a big-budget film. I will do an indie film. I will do a short film. I will do a digital platform show, television, and even theatre. I don't have any restrictions in terms of platform as long as the content is something that I find interesting.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
You're not chasing syndication any more. It used to be a big thing. "Let's make 100 episodes and we'll get paid for life". You know? And what does the sheer amount of content that's being made do to syndication after a while? It just seems like there's more content than there is hours for everyone to watch it. But it's some of the best content that's ever been created.
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
I was as content Off-Broadway as I was in a big Hollywood movie, and, I just try to be content wherever I am, you know.
People in the big rich countries are often extremely dismissive of the small countries. They think nothing that happens there is of any interest or that it matters at all, but, at the very least, with that attitude they miss out on some extraordinary stories.
Life matters more than any painting, novel, film, or great big diamond.
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