A Quote by Rhea Chakraborty

Doing a film with YRF is like a dream come true for a newcomer. It's like a family here. Everyone looks after you. If you do your work well, they appreciate you. You are in safe hands with such production houses.
When people do things to make your dream come true, you owe them in one way or another. Everyone understands that for every dream that comes true for you, there might not be a dream coming true for someone else. When we trade one wish for another, there's a price to pay. It works like that
Everyone wants to be safe. Well, I got news for you: You can't be safe. Life's not safe. Your work isn't safe. When you leave the house, it isn't safe. The air you breathe isn't going to be safe, not for very long. That's why you have to enjoy the moment.
What I'm doing is a dream come true but at the same time its work. It's like anything else. The only time it doesn't really feel like work to me is when I'm on stage and doing what I've prepared myself for my whole life which is to stand out in front of a crowd and sing.
For a relative newcomer, it's obviously a dream to work with such a talented actress as Anna Paquin, who won an Oscar at 10, or something ridiculous like that. That's a dream.
It's everyone's dream to be on a cover of a magazine - you know what I mean? It's like a dream come true.
My family's dream, and my own, was to live in Israel, and our eventual voyage to the port of Jaffa was like making a dream come true. Had it not been for this dream and this voyage, I would probably have perished in the flames, as did so many of my people, among them most of my own family.
That's like a dream come true. To be able to hire friends, to shoot a movie in the neighborhood where you grew up. To have it released. It's actually a dream. How many people can say that their first film got distributed and out there? What are the odds? My persistence made the odds work for me.
To make a film with Rajinikanth will be a dream come true for any director, and I'm not an exception. But I always believe that it's the story that should drive you. If I come up with something like that, and if the story inspires me, I would be happy to work with him.
The dream God gives you guarantees, no matter what it looks like now, when it’s all over, your dream will come to pass.
As for Aamir Khan, he keeps raising the standard with every film. For an artist like me or a newcomer like me, we can only look up to that and dream, 'When will that be us someday?' There's so much to learn from him. He is the encyclopedia of acting.
When the audience appreciates your film, that's the happiest feeling for an actor because at the end of the day, you are making a film for them. When they like it and appreciate it, you feel your work is done.
One of the biggest misconceptions was, after I left Dream Theater, I went off and did, like, five different bands and side projects. Everyone was like, 'We thought you wanted a break.' And it was like, well, I didn't want a break from making music; I just needed a break from the Dream Theater camp.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
It is every actor's dream to work at YRF and I feel very fortunate to be given this opportunity.
I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.
Film is my hobby, so I will work well through the night to develop films, whatever film I'm doing or dream projects I have.
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