A Quote by Rhea Chakraborty

I think no one really knows for sure what will work at the box office. Even big production houses don't know what will do well and what won't. — © Rhea Chakraborty
I think no one really knows for sure what will work at the box office. Even big production houses don't know what will do well and what won't.
You never know, until you put a play up for an audience, whether it's going to work. Things you think will work don't, and things you're not sure about work really well.
OTT platforms have taken away the pressure that would plague films earlier... the pressure of box office, the number of screens it will be played in, what kind of stars it has or even the pressure of censorship... This is a really big deal.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
When you work on a Jerry Bruckheimer film, you can be sure of two things: no production value will be spared, and the catering will be as fine as any really really good restaurant. Jerry is an amazing producer, with a commitment to his films second to none.
Even though L.A Confidential box-office was a fraction of, say, Titanic or the Grinch movie, it finds its audience and will continue doing so for who knows how long, because of the basic thing we love about movies, which is storytelling and performances.
Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.
I don't really think about the box office, but I want my films to do well.
I think many businesses will allow their employees to work from home. The main challenge here is how to make sure Zoom will give a better and safer experience to users than compared to that in an office environment.
I'm creating a peculiar place so that it will give hope for houses to open up worldwide. For I will need houses, the tents of the people, to display My glory. I will have the tent of meeting and the place that you will gather and come, but I need the houses of My people to be filled with My glory I will be filling your houses!
What I think of as a mistake might be something that does really well at the box office, so I'm my own harshest critic - as we all are, really.
Even if you know a character really well, there's no formula for what jokes will work and what won't.
I remember people saying that Atletico wanted me, that they are a big team, and that it will be a big challenge for me. I don't know why, but I just felt really prepared for it, really confident. I went there and tried to do my best in training as well as learn the language really quickly. That was important, I think.
I think it's very important, and I think that what young people will learn from my experience is that even presidents have to do that and there are consequences when you don't. But I also think that there will be a box score, and there will be that one negative, and then there will be the hundreds and hundreds and hundreds of times when the record will show that I did not abuse my authority as president, that I was truthful with the American people.
I don't work for production houses. I only work for good scripts and roles. If you follow my career graph, you will find that I have not given a single flop yet in my career. I am proud of it.
Never tell the box-office man that you can't hear well or he will sell you a seat where you can't see either.
What counts in Hollywood is box office. It doesn't really matter what people think of you as an actor because, as long as you have been in a movie that has made money, you will always get another job.
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