A Quote by Rhea Ripley
I want to see how far I can get, how many history making things I can put my name under.
Related Quotes
I'm a storyteller; that is what I do. And I'm particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.
Im a storyteller; that is what I do. And Im particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
The Nike Fuel Band is interesting - it measures your movements and how far you've walked and how hard you've worked that day. I prefer using when I travel. It's a fun way to see how far I've walked - how many steps I've taken when I'm walking around different cities.
When we get up in the morning, what we put on is very much a reflection of how we see the world and how we want it to see us.
I don't want a chat show or to be on telly every day, as that's not my business; my business is standing in front of people and making them laugh, and I want to see how far I can get with that.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
Nowadays children look at everyone in the magazines and they want to be a basketball star or on a television show, but there is only so many people who can do those things and not that you shouldn't aim or dream for these things, but there are so many other fantastic jobs. So it's good to talk about how to get there and how difficult it is to get there.
I've been lucky enough to do a lot of very interesting things, and every time, I've been like, 'I want to put everything into this because I want to see how far I can go with it.'
Science is one of a handful of things that defines us as a very special species. It is amazing how far we have been able to get and how accurate our predictions are. I think understanding how the universe was born is very important. It really gives us a perspective on many things.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
One of the rules that I always follow is that no matter how crazy characters may act, and no matter how absurd or strange their actions may be, that it's justified in the character's mind why they are doing it. Not to get all heady about it, but it's fun for me to test how far I can go with things while still keeping it grounded enough that you believe that the character really believes that what he's doing will get him what he wants. It's a personal challenge to me to see how far I can go with that.
I want to see how far I can train. I have to see how far my body will go.
See the minutes, how they run,
How many make the hour full complete;
How many hours bring about the day;
How many days will finish up the year;
How many years a mortal man may live.
Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
I want your first trip to be with me. I want to show you cities and landscapes and teach you how to look at things in new ways and how to get along in places you don't already know inside out. I want to put some life in you.
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